Drawing Quotes
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In pre-school, I was drawing dinosaurs - I was huge into dinosaurs. I wanted to be a paleontologist, not a cartoonist or a filmmaker or anything like that - just a paleontologist. So I would draw dinosaurs.
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On a purely personal level, it's very strange, because as a kid, Superman informed my personality. Now I've been given the job of forming Superman's personality and, in some ways, drawing on my own background.
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It's self-soothing for me to draw. So if I'm upset, drawing makes me less upset.
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Morality, like art, means drawing a line someplace.
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The Negro cannot stand the present reactionary tendencies and unreasoning drawing of the color line indefinitely without discouragement and retrogression. And the condition of the Negro is ever the cause for further discrimination.
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Ditko isn't a direct influence, but I really admire his work and how his personality always comes through the drawing. There's a honest and quirky humanity to it, and you always feel the artist behind the comic. That's really rare.
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The existence of a medium, after all, is its absolute justification, if as so many seem to think, it needs one and all comparison of potentialities is useless and irrelevant. Whether a water-color is inferior to an oil, or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence. [emphasis added] Let us rather accept joyously and with gratitude everything through which the spirit of man seeks to an ever fuller and more intense self-realization.
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I am very bad at drawing. Seriously. I can draw shoes. That's about it.
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I've been drawing as long as I can remember. I think all children draw as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing.
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When I'm drawing a picture, I feel...quiet inside.
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I've been trying to pinpoint what keeps drawing me back to the Gulf of Mexico, because I'm Canadian, and I can draw no ancestral ties.
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I don't know where I got the idea for 'The Great Thumbprint Drawing Book'; I just told my brain to think of a book, and it did.
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Things like anatomy and drawing and design and color had pretty much been drop-kicked out of the curriculum in the '70s, when I was studying art, in favor of abstraction and minimalism.
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When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.
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I sketch the faces upside down because it's like drawing from the left side of the brain or the right side of the brain. I never took an art lesson in my life.
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Prayer is the exercise of drawing on the grace of God.
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I have been drawing and creating visual works my entire life, as long as I can remember.
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On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
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'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
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I don't know if you have ever seen a tiger of the jungle drawing a deep breath preparatory to doing a swan dive and landing with both the feet on the backbone of one of the minor fauna. Probably not, nor, as a matter of fact, have I.
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Lucy in the Sky with Diamonds actually wasn't meant to say LSD It was a drawing that John's son brought home from school Lucy was a kid in his school.
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Nay, if there's room for poets in the worldA little overgrown, (I think there is)Their sole work is to represent the age,Their age, not Charlemagne's, - this live, throbbing age,That brawls, cheats, maddens, calculates, aspires,And spends more passion, more heroic heat,Betwixt the mirrors of its drawing-rooms,Than Roland with his knights, at Roncesvalles.
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Only now 1943 I become conscious that my work in black, white and little color planes has been merely 'drawing' in oil color. In drawing, the lines are the principal means of expressions.. .In painting, however, the lines are absorbed by the color planes; but the limitations of the planes show themselves as lines and conserve their great value.
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Nothing seems real anymore. Even the flames from the fire seem to beckon to me, drawing me into some great past life buried somewhere deep in my subconscious, if only I could find the key..if only..if only. Ever since my illness, my condition, I've been trying to find some logical way of passing my time, of justifying a means to an end.
