Audiences Quotes
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I do think that my Indian classical audiences thought I was sacrificing them through working with George; I became known as the 'fifth Beatle.' In India, they thought I was mad.
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Audiences crave something they've never seen before. That's what they want. They want to be dazzled. They want to go in either to have their expectations blown out of the water, or have no expectations and are dazzled by the decisions that we filmmakers made.
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London audiences are the most challenging around - it's a group of such diverse strangers.
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The trick is to have my own particular taste and feel for the theater to audiences who have been used to one particular style and taste for nearly 40 years.
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I think writers write for their consciences, they write for their own true audiences, for their souls.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they're doing now.
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Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
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American audiences tend to underappreciate the British, but 240 years ago they were us: They were the most powerful nation on Earth. Their mercantile empire spanned the planet. They had the most potent and experienced army and navy the world had ever seen.
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Audiences believe what you believe. It's a matter of believing yourself. If I believe me, then you've got no choice. None at all.
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When you start out, it sometimes feels like you're fighting audiences every night just to prove that you're funny.
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It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.
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What you want is the thing that critics love and audiences love, but that's the hardest thing to do.
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You look back on films sometimes and if they have not been as all-out successful as you anticipated you try to find reasons why maybe it didn't come off for audiences as well as you would have liked.
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We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we've have audiences that don't really want us to go too far in that direction.
