Audiences Quotes
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Audiences could never relate to me as anything other than Tori Spelling.
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The thing I do, really, is a communication with audiences more than any achievement through records.
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Popularity matters a lot, as at the end of the day, the love of your audiences can make you win.
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The States still has the best audiences by far.
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Great emotional singing isn't a destination, it's a journey, one to be taken time and again to different places with different moods and different audiences.
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If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.
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We have diverse cultures and diverse audiences coming to see films. We are working hard not to repeat ourselves and to have the festival be something that the audiences and the industry feel belongs to them.
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Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
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What happens online is you are constantly dealing with invisible audiences.
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I feel very proud of everyone I've worked with on 'SpongeBob' because they're all brilliant artists working at the top of their game to make something really special, and I think audiences feel that.
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Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
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I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in.
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I'm always very interested in playing in front of different kinds of audiences. It always affects the way you play.
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We need to try to unite audiences, unite countries, join musical tastes, unite people.
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American audiences tend to be more expressive than British ones.
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Network news accustoms audiences to assertion not argument. Over time, it reinforces the notion that politics is about visceral identification and apposition, not complex problems and their solutions. ... sound bites aren't very helpful. They can tell a voter what a candidate believes, but not why. And many issues are too complex to be freeze dried into a slogan and a smile. ... What's lost in a world in which everything's an ad? Perhaps the country that created the assembly line has simply found a more efficient way to do politics.
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We love bringing verisimilitude to audiences, hopefully having experiences you'll never have.
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I would like to think I've reflected the audience's lives somehow, though it's in this big, false, glamorous arena of movies. I hope people see themselves somehow up on the screen.
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I think the only thing filmmakers can do is try to make good movies and make them as long as they allow us to keep making them. But at the end of the day, it is a business, and if audiences don't care, there's nothing we can do. It'll just go away, I guess.
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I look forward to my first visit to Israel. Music is a universal language that is meant to unify audiences in peace and love, and that is the spirit of our show.
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When you start to see things that are well-executed you'll watch a lot of stuff in 3D and see the same scene again in 2D and realize, "Oh, my god, it's like you turned the color off or the sound off." Once you get used to it, I think audiences and the public will want more of it.
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Now it is time to build on that, to make it even better, and to bring this amazing product closer to our fans, while making it appealing to new and younger audiences as well.
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Hollywood keeps before its child audiences a string of glorified young heroes, everyone of whom is an unhesitating and violent Anarchist. His one answer to everything that annoys him or disparages his country or his parents or his young lady or his personal code of manly conduct is to give the offender a "sock" in the jaw.... My observation leads me to believe that it is not the virtuous people who are good at socking jaws.
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I haven't been in the film world long enough to really understand the gravity of 'Big Hero's' success. I'm just happy that it is translating well internationally and that the story and the characters are loved by audiences around the world, and everything that's come after that has been secondary to the initial response.
