Audiences Quotes
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You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.
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We all do films believing in them completely, but sometimes, the audiences like what we like, and other times, they don't.
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I've lost audiences, I've recovered them.
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Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
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American audiences are just the same as any other audiences. Except a bit more boring.
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I want to make films that cater to the world audiences.
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When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
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At this stage, what would be rewarding would be for audiences to want to watch.
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I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
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To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences.
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Actors are as anxious about the state of audiences as aviators are over weather conditions.
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Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.
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We're committed to giving the independent artists we support the best stage to share their mind-blowing work with audiences.
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Audiences will get just as tired of people wrestling on a bed as they did of Tom Mix kissing his horse.
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Audiences can be very judgmental.
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We get paid in flesh. Our audiences are sluts and whores, each and every one.
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Audiences always sound like they're glad to see me, and I'm damned glad to see them.
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I like to see writers reach bigger and bigger audiences, and stand-alones have allowed some of them to do just that.
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...I do like the low frequencies. It's from years and years of observing audiences when they hear a lower frequency coming from an instrument it tends to pull them in. You have to listen a little more attentively. High frequency instruments hit you so hard, after a while the ear has a tendency to want to shut down. And that's what happens. I've been able to observe very carefully how people tend to get very tired of listening to high frequencies a lot.
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We are so excited to be touring and showing audiences the versatility of the cello.
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Audiences have kept me alive.
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I'm not sure if the audience can smell tuna but the special guest each show definitely can.
