Audiences Quotes
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Network news accustoms audiences to assertion not argument. Over time, it reinforces the notion that politics is about visceral identification and apposition, not complex problems and their solutions. ... sound bites aren't very helpful. They can tell a voter what a candidate believes, but not why. And many issues are too complex to be freeze dried into a slogan and a smile. ... What's lost in a world in which everything's an ad? Perhaps the country that created the assembly line has simply found a more efficient way to do politics.
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When you start to see things that are well-executed you'll watch a lot of stuff in 3D and see the same scene again in 2D and realize, "Oh, my god, it's like you turned the color off or the sound off." Once you get used to it, I think audiences and the public will want more of it.
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Now it is time to build on that, to make it even better, and to bring this amazing product closer to our fans, while making it appealing to new and younger audiences as well.
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Babelgum has no ties to individual content owners and distributors, and as a result our editorial strategy is primarily 'user-centric.' That strategy ensures the platform satisfies the needs of a potentially infinite number of niche audiences around the world.
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I struggle on many fronts on having to move to a different level, having to cater to constantly evolving audiences.
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I think writers write for their consciences, they write for their own true audiences, for their souls.
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I had no fear of speaking to large audiences.
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Hollywood keeps before its child audiences a string of glorified young heroes, everyone of whom is an unhesitating and violent Anarchist. His one answer to everything that annoys him or disparages his country or his parents or his young lady or his personal code of manly conduct is to give the offender a "sock" in the jaw.... My observation leads me to believe that it is not the virtuous people who are good at socking jaws.
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Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
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I want to be real and relatable, because if I am not, then I lose my credibility among audiences.
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I love to play for audiences that are simply made of people rather than so-called special people.
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Our film industry as well as the audiences are now open to unconventional pairings and subjects, which has aided my journey greatly.
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I've always had live audiences.
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I relate to the audiences and they know me. It's pretty real.
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Audiences tend to get the performances they deserve.
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Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
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Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
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A lot of gay-themed films are terrible. And mainstream audiences and the press aren't interested, understandably.
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London audiences are the most challenging around - it's a group of such diverse strangers.
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American audiences tend to underappreciate the British, but 240 years ago they were us: They were the most powerful nation on Earth. Their mercantile empire spanned the planet. They had the most potent and experienced army and navy the world had ever seen.
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You have to take the chance to bomb and disappoint audiences.
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I do think that my Indian classical audiences thought I was sacrificing them through working with George; I became known as the 'fifth Beatle.' In India, they thought I was mad.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they're doing now.
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I'm not really much of a genre guy. I think that audiences don't need that anymore where you just need a very specific genre. Audiences are very sophisticated, and as long as it's fun, it's okay and entertaining.
