Scene Quotes
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A lot of people think medicine hunting is all Chris trekking through the jungle. Or, for that matter, the chiefs and (male) elders he works with. The men get the headlines, but it's the women behind the scenes who are doing the planting and harvesting and chopping.
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Sometimes a scene can elude you, and then, you also learn that the small moments are really what you're after. A big broad moment that gets the crew laughing, usually isn't going to translate to an audience.
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At least she recognizes a good love scene when she sees one.
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You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.
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When I direct and have to look at filmed scenes of myself, I suck.
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There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific!
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The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
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As an actor just learning the craft, you literally do a scene with Jimmy Gandolfini, and you walk away a better actor.
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I reject totally the characterization of a transwoman as a mutilated man. First, that formulation presumes that men born into that sex assignment are not mutilated. Second, it once again sets up the feminist as the prosecutor of trans people. If there is any mutilation going on in this scene, it is being done by the feminist police force who rejects the lived embodiment of transwomen. That very accusation is a form of "mutilation" as is all transphobic discourse such as these.
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I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
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Talk about high school and what we identify with in the play; things that have happened to us and all of our high school experiences that we could bring to this. And to talk about what everyone knows in each specific scene.
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The political scene is already so turgid, it doesn't need more of that from me.
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I look at albums like novels. If you write a really good scene or a really good moment, just because you wrote it, doesn't mean that it fits with the story that you're writing.
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I've learned a lot about stage-managing for illustration. Sometimes you have to delete characters from a scene just to keep from overcrowding the image. I've also learned to making big-scale design decisions early.
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A scene has to have a rhythm of its own, a structure of its own.
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You have the older generation like Iris Murdoch and Angus Wilson who are not as old as Graham Greene, but still are coming on. I dare say anyone who knew the scene better than I know it could fill it in with a very satisfactory supply of novels.
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The saddest human experience is to view alone the scenes one has viewed through other eyes - to walk solitary where one has walked in company - to have its particular barbed shaft aimed at one from every stick and stone that mark familiar ways.
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I must admit, the only reason I joined an amateur dramatic society is because I couldn't get to kiss any girls - I was chasing girls all the time - and so I thought if I join it, there might be some love scenes. And there was a particular girl and I thought I might get to kiss Amy. I never did get to kiss Amy but I did get to kiss Elizabeth Taylor, so it was all right, a lot later.
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Actors must practice restraint, else think what might happen in a love scene.
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When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?"
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The United States enjoy a scene of prosperity and tranquility under the new government that could hardly have been hoped for.
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Webcomics are much bigger than any one scene can circumscribe.
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I wondered why I hadn't realized before that art was hard because you had to recreate not merely the scene but the way it soared into your soul and changed you.
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I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain.
