Scene Quotes
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When you have a full page of well-written dialogue that has a thought process to it, it is pretty easy to memorize. It's a lot easier to memorize than if you're in a scene and other people are talking, and you have maybe one word or one sentence that you have to interject at the right time and in a natural way.
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Adam Ezra writes with the heart of a troubadour and sings like a rock star. He is truely a fresh voice in singer/songwriter scene.
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As an actor just learning the craft, you literally do a scene with Jimmy Gandolfini, and you walk away a better actor.
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The United States enjoy a scene of prosperity and tranquility under the new government that could hardly have been hoped for.
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I'm working on a snow scene right now, and it's summer. It's hot, and I will get chilly. I'll have to turn on the heat. My wife walks in, and it's 95 degrees in the studio. I know it's nutty, but it's a projection you have where you step into the painting.
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I wondered why I hadn't realized before that art was hard because you had to recreate not merely the scene but the way it soared into your soul and changed you.
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I love a lot of people in bands and people doing weird art stuff, but i will always forget someone and i don't really want to be part of stamping the boundaries on a scene.
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There can never be a complete confidence in a power which is excessive.
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TV is so different from the movies. It takes a lot of stamina because you work such long hours. It is really challenging. You are learning the next day's lines while you are shooting today's scenes. I found courage I never realised I had. I hope to do more.
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In his or her own way, everyone I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon in late September, and because of that I felt a kind of loneliness new to me, as if I were the only one here who was not truly part of the scene.
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The inconvenience, the glaring lights, the long hours of waiting, and the repetition of every scene are all calculated to defeat anything more than a real mastery of love technique.
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England has the most sordid literary scene I've ever seen. They all meet in the same pub. This guy's writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They're all scratching each other's backs.
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The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.
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Beauty may be perceived in any scene by one with sympathy and understanding. Beauty is in the mind.
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When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?"
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What do we look for as reward? Some little sounds, and scents, and scenes A small hand darting strawberry-ward A woman's aprons full of greens. The sense that we have brought to birth Out of the cold and heavy soil, The blessed fruits and flowers of earth Is large reward for our toil.
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Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.
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Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
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Of course when people are as talented as Jim O'Rourke or Gene Coleman, pretty soon you know that they're going to be part of the bigger scene anyway.
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The political scene is already so turgid, it doesn't need more of that from me.
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I'm always repeating myself. You never just do a scene once, you do it an insane amount of times.
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I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors.
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My approach is literally what is being told in the scene. I try to be as real as possible, and I try to find my own truth in it and figure out how to best serve each character.
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I think there needs to be people that are doing something different in music. There's a need for that as much as there's a need for a scene.
