Scene Quotes
-
I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors.
Stephen Sondheim
-
What do we look for as reward? Some little sounds, and scents, and scenes A small hand darting strawberry-ward A woman's aprons full of greens. The sense that we have brought to birth Out of the cold and heavy soil, The blessed fruits and flowers of earth Is large reward for our toil.
Ruth Pitter
-
When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?"
Cinco Paul
-
To the mind which looks not to general results in the economy of Nature, the earth may seem to present a scene of perpetual warfare, and incessant carnage: but the more enlarged view, while it regards individuals in their conjoint relations to the general benefit of their own species, and that of other species with which they are associated in the great family of Nature, resolves each apparent case of individual evil, into an example of subserviency to universal good.
William Buckland
-
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
Gerald Vizenor
-
You have the older generation like Iris Murdoch and Angus Wilson who are not as old as Graham Greene, but still are coming on. I dare say anyone who knew the scene better than I know it could fill it in with a very satisfactory supply of novels.
William Golding
-
Hounds and hearthstones, girl, haven't you ever heard a story about Koschei? He's only got the one. Act one, Scene one: pretty girl. Act one, Scene two: pretty girl gone!
Catherynne M. Valente
-
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
Ray Harryhausen
-
I said to myself, we must die. Sooner or later, we must disappear forever from the face of the earth. Whatever be the links that hold us to life, they must be broken. This scene of existence is, in all its parts, calamitous.
Charles Brockden Brown
-
Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story.
Hart Bochner
-
It's funny that some ideas start with a little "What if?" and then suddenly you're spending a million dollars to shoot the scene and hoping that it works.
Steve Martin
-
I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain.
Ray Walston