Scene Quotes
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I've done karate quite a lot growing up so I did do a kind of quite long karate scene.
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Hounds and hearthstones, girl, haven't you ever heard a story about Koschei? He's only got the one. Act one, Scene one: pretty girl. Act one, Scene two: pretty girl gone!
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Death scenes are hard. Sex scenes are hard.
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If you try to deliver a funny line in a funny way, it comes out as wacky and you ruin the scene.
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Don't be late to the theater. The opening scene is a goody.
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In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.
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Every musical scene has a cycle.
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Cyberattacks have become a permanent fixture on the international scene because they have become easy and cheap to launch. Basic computer literacy and a modest budget can go a long way toward invading a country's cyberspace.
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I think the intelligent thing about it is that you have to carefully listen to it all to grasp it, and because I'm not in every scene - colossal disappointment to everybody that it may be - I'm not getting the full picture here today while recording it.
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I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain.
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After The Beatles came on the scene everyone started putting on a Liverpudlian accent.
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I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
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You write a scene, and it works or it doesn't. It's immediate.
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There's an old saying that applies to me: you can't lose a game if you don't play the game. (Act 1, scene 4)
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It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.
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D.C.'s always had a great scene.
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In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now.
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You would never dream of going on to play a scene in front of an audience at least without having rehearsed it. But you do somehow in front of a camera.
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There's nothing worse than shooting a scene you haven't rehearsed.
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I have a nationally distributed film whose pivotal scene is the ultrasound-guided abortion.
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As an actor I want to do as many takes as I can. I wanna shoot the scene... or shoot the shot 'til they make me quit.
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Even with college, the reason I wanted to go so badly is because I wanted to major in film. I want to take screenwriting classes and learn more about behind the scenes stuff, because I love people like Steve Carell and Kristen Wiig who are able to write a lot of their own material and be so involved in everything they do.
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Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.
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Nothing can prep you for eight years of sex scenes in one day.
