Pot Quotes
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They should legalize pot! Do it! DO IT!
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Man who stands on toilet, gets high on pot!
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Oh, we're playing nice now? Shall we have tea first? Brew up a nice pot of kiss-my-ass?
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Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.
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An unwatched pot boils immediately.
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We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving at Bernard's Leach studio. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow express ourselves a little bit more in the daily work of the pottery.
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Finally if I had a pot that needed decoration, I would hand it to Alix MacKenzie and I would say, "Can you do something with this?" And she'd look at it for a while and then proceed with a brush to embellish the form and enhance the form, and it was wonderful. She could bring the pot to life, whereas if I did it, it was a disaster.
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I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.
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Everything comes to me while I'm sitting on the pot.
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It's just that little box in the middle of Fort Greene, Brooklyn. Most of the time I go I don't even leave that apartment. I have just enough: a little bed, a little kitchen with two pots. I make some tea and I look out the window or just lay down.
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Laughter not time destroyed my voice And put that crack in it, And when the moon's pot-bellied I get a laughing fit.
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Our minds hurtled outward in all directions. We became absurdly creative, Homo artifactus, intolerant of bare cave walls and naked clay pots.
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We thought with Alix MacKenzie, if those are the kinds of pots from every culture that interest us, why would we think that it should be any different in mid-North America 20th century? And we decided then that our work would center around that sort of utilitarian pottery, and that's what I've done ever since.
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Other thing about Field Museum of Natural History which inspired was that in a group of pots you wouldn't see a single example of this kind of pot. You would perhaps see a case with 20 different examples. So you realize that these pots could be repeated again and again, and each time there would be minor variations in them.
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Love is not shown by giving your toddler a car. It's better demonstrated by clapping as she bangs on pots or singing to her while she plays with her cheap little bath toys in the tub.
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Everything I do now is about growing the pot to have more to give away.
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In fact, I was welcomed. There were movie stars and rock stars. I became a pot star. I glorified in that. And of course as time wore on the business began to expand and grow. It went from more or less a college fun thing to a serious business. As the money grew, the power grew.
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What you've got to do is look in your cupboard, see what's there, put it all in a big pot, sprinkle some grated cheese on top and bung it in the oven. That's what pop music is all about.
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When Mexicans sneak across the border, they're more apt to carry a bag of pot then they are a fistful of money. Because the pot can be exchanged for money, anywhere in America. Anywhere in the world!
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I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
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I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry Elfont, around Episode 7 of mary and Jane, I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
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I get mad when people are against pot.
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I love fashion, I love architecture and I love image making so if I can, I would put all these three in one pot.
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So that’s what we want is a secure and sovereign nation and, you know, I don’t know that all of you are Latino. Some of you look a little more Asian to me. I don’t know that. What we know, what we know about ourselves is that we are a melting pot in this country. My grandchildren are evidence of that. I’m evidence of that. I’ve been called the first Asian legislator in our Nevada State Assembly.
