Pot Quotes
-
An unwatched pot boils immediately.
H. F. Ellis
-
Man who stands on toilet, gets high on pot!
Katharine Hepburn
-
They should legalize pot! Do it! DO IT!
Tré Cool
Green Day
-
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving at Bernard's Leach studio. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow express ourselves a little bit more in the daily work of the pottery.
Warren MacKenzie
-
Finally if I had a pot that needed decoration, I would hand it to Alix MacKenzie and I would say, "Can you do something with this?" And she'd look at it for a while and then proceed with a brush to embellish the form and enhance the form, and it was wonderful. She could bring the pot to life, whereas if I did it, it was a disaster.
Warren MacKenzie
-
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.
Warren MacKenzie
-
Love is not shown by giving your toddler a car. It's better demonstrated by clapping as she bangs on pots or singing to her while she plays with her cheap little bath toys in the tub.
Emily Yoffe
-
In fact, I was welcomed. There were movie stars and rock stars. I became a pot star. I glorified in that. And of course as time wore on the business began to expand and grow. It went from more or less a college fun thing to a serious business. As the money grew, the power grew.
George Jung
-
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
Warren MacKenzie
-
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry Elfont, around Episode 7 of mary and Jane, I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
Deborah Kaplan
-
What you've got to do is look in your cupboard, see what's there, put it all in a big pot, sprinkle some grated cheese on top and bung it in the oven. That's what pop music is all about.
Alex James
Blur
-
So that’s what we want is a secure and sovereign nation and, you know, I don’t know that all of you are Latino. Some of you look a little more Asian to me. I don’t know that. What we know, what we know about ourselves is that we are a melting pot in this country. My grandchildren are evidence of that. I’m evidence of that. I’ve been called the first Asian legislator in our Nevada State Assembly.
Sharron Angle
-
When Mexicans sneak across the border, they're more apt to carry a bag of pot then they are a fistful of money. Because the pot can be exchanged for money, anywhere in America. Anywhere in the world!
Tommy Chong
-
Everything I do now is about growing the pot to have more to give away.
Nicolas Berggruen
-
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
Warren MacKenzie
-
Bernard Leach was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and he'd pull an old scrap of paper out of his pocket and a little stub of a pencil, and he'd begin to make small drawings, about an inch and a half, two inches tall, of pots that he wanted to make. And they were beautiful drawings. I really wish I'd stolen some of those scraps of paper, because those drawings were exquisite explorations of his ideas of form and volume in a ceramic piece.
Warren MacKenzie