Pot Quotes
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Human affairs are like a chess-game: only those who do not take it seriously can be called good players. Life is like an earthen pot: only when it is shattered, does it manifest its emptiness.
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If Bernard Leach didn't like the drawing, he'd X it out and do another one and change the form a little bit. And when he was all done, he would stuff these pieces of paper in his pocket and go off to the pottery, and when he wanted to make pots, he would then take these out and he'd begin to produce the pot that he had designed on paper in front of us.
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Shoji Hamada's drawings were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
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Looking back on it now, I understand why that was not possible to express ourselves, because the pottery employed a dozen people, not all of whom are making pots. And these people had families, children, and they had to have a wage that would allow them to raise their family and they had to get a paycheck every Friday afternoon. So if we had not made pots that would sell it, would not have been possible for these people to be employed.
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For there is surely nothing more beautiful in this world than the sight of a lone man facing single-handedly a half a ton of angry pot roast!
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If you listen to the Dhamma teachings but don't practice you're like a ladle in a soup pot. The ladle is in the soup pot every day, but it doesn't know the taste of the soup. You must reflect and meditate.
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I do have a plan for the country the USA. It needs education. And there should be drug education - only people should be taught how to smoke pot, because even potheads don't know how to smoke pot. I've evolved into not only an activist, but an educator. I want to show people how, when, and why they should smoke pot.
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Every pot is not going to be a masterpiece.
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Bernard Leach was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical to these two men Leach and Shoji Hamada.
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Because the pot takes the edge off the adrenaline, and it also clears your mind of it, and then you can see things a lot clearer.
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When Bernard Leach wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.
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There are a lot of women who live with pot-bellied pigs.
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We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the year after that and so forth. We did make many pots which were repeated, but we allowed them to change and to grow as we changed and grew, and I think that was the big difference. And that's all right; we were working for ourselves. We didn't have anybody we had to pay.
