Catherine Zeta-Jones Quotes
Quotes to Explore
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The world is always in movement.
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I really think that in the media world that we live in now, especially for writers, it has to be a conversation. With very few exceptions, it can't be this one-way, 'Here I am on the mountaintop preaching to all of you great unwashed readers in hopes of saving you.' It doesn't work that way.
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The law of sacrifice is uniform throughout the world. To be effective it demands the sacrifice of the bravest and the most spotless.
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At first my publisher had reservations about publishing it in the form you are familiar with.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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On the national security front, Rick Santorum is superior to any candidate I know.
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I don't meet many people who are talking about shows on Showtime.
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To have success in your professional life is not so hard. To succeed as a man is more difficult.
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The power of intuitive understanding will protect you from harm until the end of your days.
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There were no dissidents then in the USSR because they were all killed.
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I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
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The people who used to hold the purse strings were a select group of white, middle-aged men, but that's changing, and the more it continues to change, the more we'll see inclusive stories get told.
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I am always excited about playing in front of live audiences because I really enjoy it, for the most part.
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Have fun, be active. Ride a bike instead of driving, for example.
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I don't think I would change anything. I think we've done a fairly good job of remaining sane and making the right decisions.
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If you would ask me what my ideal process is, I would say, long pre-production, long production and long post-production.
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In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.
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Most people spend their whole lives looking for the right job. There are others who never get an opportunity to do work that fulfils them.
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I think the larger productions in India are very methodical and pretty much on the ball in terms of work. When I say work, I mean pre-production and the homework that's required.
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Of course, nobody would deny the importance of human beings for theological thinking, but the time span of history that theologians think about is a few thousand years of human culture rather than the fifteen billion years of the history of the universe.
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And when the stream Which overflowed the soul was passed away, A consciousness remained that it had left Deposited upon the silent shore Of memory images and precious thoughts That shall not die, and cannot be destroyed.
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I'm becoming more of a novelist as I get older. The novel just seems the truer form. There's less artifice involved.
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The frustrating part of being an artist is that I can do a whole interview, and all most people are going to see is the headlines. As artists, we should be able to write our own headlines.
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There are a lot of women who live with pot-bellied pigs.
