Dance Quotes
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If I can't do high kicks or dance in it, then I won't wear it.
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My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.
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That's what I love about our music - it'll never be a hit because you can't dance to it.
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In liberal democracy and anxious anarchy, the traditional classic dance, compact of aristocratic authority and absolute freedom in a necessity of order, has never been so promising as an independent expression as it is today.
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With dance and theatre, I think people get very nervous about not knowing the right things. They feel like they've missed something, or that they're not bright enough to watch it. It's not a test.
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When I was in high school, we used to do 15-20 hours of dance per week, and then when you graduate, you don't have that much time on your hands anymore.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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If you don't go to a dance, you can never be rejected, but you'll never get to dance, either.
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There aren't always, especially in low-income communities, the arts and the dance and the drama and the things that can really show a kid, 'Look, even if I'm three years behind in math, there's something I'm good at that can help me be successful in life.'
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I love music in general. It's like girls and their clothes and shoes; when you love shoes, you love shoes. So, for me, I think it's a really dangerous thing to say I'm going to write the best dance song in the world.
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New York had this wild beat that anybody could dance to. It was very nurturing to young people.
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I want to dance. I want to live.
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The subject says 'I see first lots of things which dance - then everything becomes gradually connected'.
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The school I went to was so Gaelic that you learned how to play the tin whistle and how to Irish-dance in class.
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Well, I never danced with the 'Pips' - they didn't let me dance!
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We must never forget that the dance is the cradle of Negro music.
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Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
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I recently read an article on how I was dropped from a film because I couldn't dance! It was so ridiculous that I decided to shut up about it. Let people say what they want to. It's such a waste of time.
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No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
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'The Dance Scene' is basically the most amazing dance show in the world, and it follows me as a creative director. You see how I maintain that creativity.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I think that's a responsibility I have, to not leave the listener with complete dread or depressing, dark thoughts, but to leave a little door open so that you can dance your way out if you want to.
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I always tell the adults at my dance school, 'Men, you are going to have to do something that you are absolutely not used to: you have got to take command and be the boss.' Because - and this is just an observation - women get their way.
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It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
