Song Quotes
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I think a lot of my songs are very silly and very stupid, written to entertain people, but in the end, I always come to that last line, and I feel that I have to wrap this up with a bit of dignity and a little tear in the eye; otherwise, the joke would be on the characters in the song.
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There are alway going to be bad things. But you can write it down and make a song out of it.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I took some of the hardest things about my life and wrote an empowering song with it. It has made me want to always write from that place.
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I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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'Mama I'm Coming Home' is one song that I think is incredible. One of his best songs ever written. Lemmy wrote the lyrics to that.
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I wrote a song for Icona Pop which boosted my confidence quite a lot.
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It's actually harder to write a fun song.
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You can always write a song about people who are in love, but they're in love, so they're happy; they don't need you. But the people that I try to worry about are the ones who don't have anyone to give chocolate to, and the girl who doesn't have flowers coming to her.
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I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
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I don't want people to sit and process the song. I want them to just let them bathe over them.
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Baby it's you. You're the one I love. You're the one I need. You're the only one I see.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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The way I write my songs is that I have to believe what I’m writing about, and that’s why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, “Oh my God, this song is totally about me.”
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'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
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I have a song called 'Decisions' that features Jamie Foxx, Mary J. Blige, John Legend and Common. It's about people who have made a decision to really stand by you as friends.
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Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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If someone is sad, they put on a song, or if someone wants to rock out, and they want to get into a good mood, they put on music. Just being able to be a part of something like that I feel like was my ultimate push to do music.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
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There's something in us that lives just beyond our normality - and I think we've all got a song in us. If only we could master that tiny muscle and make it sound listenable.
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Everyone from the pope to some hobo thinks, "I'm a human being. What am I doing here?" You can't get carried away with fame and fortune and all that. It's all nonsense. The whole pop-star side of it is all fun and good, but you don't get anywhere without putting in the hours. I get so fulfilled when we play a song live that we spent hours working on. It's all cool. Fame is something to have fun with, but you shouldn't take it too seriously because it is bollocks.
