Song Quotes
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If a song is longer than three and a half minutes, it'll need something to keep you entertained.
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Fashion and music have always played off each other and certainly do for me; I love both so much. But there are definitely those moments when you're playing the right song at the right time in the right place, and it feels like the best job in the world.
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There's more things that I'd like to do. You know, each song is a little bit of a puzzle. I see most of them as just failed attempts.
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I'm trying to stay a song ahead, two songs ahead of everybody else.
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Sometimes when you're writing a song and that song comes into your head, it definitely comes from somewhere, like a real experience.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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I think a lot of my songs are very silly and very stupid, written to entertain people, but in the end, I always come to that last line, and I feel that I have to wrap this up with a bit of dignity and a little tear in the eye; otherwise, the joke would be on the characters in the song.
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In India, the measure of a singer's freedom is in his own creative personality. He can sing the composer's song as his own, if he has the power creatively to assert himself in his interpretation of the general law of the melody which he is given to interpret.
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The second song is called 'Easy As Life,' which really describes the complete conflict of the whole story, her struggle of being in love with the enemy and also being in love with her people.
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I don't want people to sit and process the song. I want them to just let them bathe over them.
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When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
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I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
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Baby it's you. You're the one I love. You're the one I need. You're the only one I see.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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The first song I did was over a Chief Keef beat – 'Understand Me.' I did that in, like, 2011 or 2012, I think.
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Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
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It's a little gross to put yourself in every song. I mean, how interesting do people really think you are?
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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I've been doing morning pages: the first thing I do when I wake up is sit down and write three pages of whatever comes into my head. The more I do them, the more creative I get and the smaller my problems seem. I can turn something that I hated a few days ago into a short story or a song.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
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I do a lot of things, and I'll get excited about them - maybe it'll be a song in a movie - and then it comes out, and you're like, 'Aww, that was cool, but it wasn't quite as big a deal as I thought it would be.'
