Song Quotes
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The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
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I think Sam Smith's dad got a huge loan or something to help his career. Those things can help artists get attention, but I guess my song 'Say You Won't Let Go' proved it's about the song.
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The thing is, my life is a country song. I don't need to be manufactured, and I don't need anyone to tell me what to say or what to sing.
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I think that's what makes my music different from other artists in my lane is that I write every word that's on my album, and every word comes from a real experience or a real feeling that I've either experienced or felt. And I'm very particular about that, and I take a lot of pride in it, so you know if I say something on a song, I mean it.
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'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
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I like rap. I like anything with soul. I like anything you can feel, anything that makes you think that the artist had to make that song, or they were going to go crazy.
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I always wished I had a song like that George Strait song, 'The Chair', 'cause it's basically just a guy trying to pick up a girl at a bar.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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I had written lyrics to a song called The Silent Extreme, which Alex later renamed Humans Being.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Indeed the Idols I have loved so long Have done my credit in this World much wrong: Have drown'd my Glory in a shallow Cup And sold my Reputation for a Song.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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The first song I did was over a Chief Keef beat – 'Understand Me.' I did that in, like, 2011 or 2012, I think.
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The chorus-ending from Aristophanes, raised every night from every ditch that drains into the Mediterranean, hoarse and primeval as the raven's croak, is one of the grandest tunes to walk by. Or on a night in May, one can walk through the too rare Italian forests for an hour on end and never be out of hearing of the nightingale's song.
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I'm definitely not going to go and sing a song that condones certain things.
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Writing a song is actually quite easy. Writing a good one is very, very difficult.
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'Fix' was a song that definitely put me on the map and changed everything for in me my career. I'm really thankful for it.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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When I was about 14, I got a tacky keyboard for 250 pounds and put on a drum machine and found I could write a song.
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Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
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I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
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Janis Joplin is definitely one of my biggest influences. She taught me how to feel music, and I don't think there's anyone like her that could bring such pain and emotion to a song.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.