Song Quotes
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The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.
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If it weren't for the rocks in its bed, the stream would have no song.
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Hip-hop is more than music, it's a culture. It's bigger than hit songs.
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I like rap. I like anything with soul. I like anything you can feel, anything that makes you think that the artist had to make that song, or they were going to go crazy.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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I'll put on a song that I really like and do bicep curls with two kilo weights the whole song.
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Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
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I'm conflicted about the lyric tattoo thing. I feel like that's a lifetime decision, and I always feel like, 'I hope you don't regret this a couple years from now when you get tired of that song.'
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Is this some kind of fucking radio promotion? What the fuck is this? Let me just say that if whatever said radio station tries to blacklist us for my comments about their balloons, I would like them to know I want a written apology tomorrow for interrupting my song.
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Flower was a good metaphor for growth. The song is obviously about sexual responsibility, so that was the main metaphor. Also, it's like knowing who someone has been and remembering and appreciating that, but really appreciating what they are now even more.
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It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
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'Material' is meant to be a fun, lighthearted song about the tiny bit of materialism that's in all of us. The message is meant to translate the notion that you don't need luxury items to feel special; you already are special.
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I believe in the power of song. Under the spell of the right song, passion is within reach, love is close by, and you are not alone!
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.
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Everybody has a line. It doesn't matter how you're dressed onstage or what you say in your songs, that doesn't give anybody the right to invade your personal space.
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I've been writing since I came to Nashville when I was 17. I've been blessed to have written with so many of the biggest names around. They took me under their wing and taught me the ways of writing. They saw something special in me, which feels great. Every song on my record is going to be original, and that's just a really cool feeling.
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The funny thing is, people's perceptions of what a song is about is usually wrong a majority of the time. But they're still going to read what they want to into it.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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There are alway going to be bad things. But you can write it down and make a song out of it.
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I wrote my first song when I was nine, and it was called 'Notice Me'. My Mom still has the piece of paper around somewhere, but I can't even imagine how terrible it is.
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By forbidding Jews to destroy their hair, the Bible warns them away from seeking the siren song of eternal youth. By encouraging Jews to grow beards, it reminds them that they will not be young forever, that they must prepare the ground for those who come after, just as their fathers did for them.
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I love the song 'Into the Night.' It's Roy Orbison meets David Lynch meets Iggy Pop on amphetamines. It has a punk edge that is not HIM, per se. It is super melodic and super '60s, and that is very new to me and it is a sense of achievement to me.
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'Aura' is a song where you're looking at yourself in the mirror, and I was personally impacted when I recorded it. I identified with it.
