Song Quotes
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It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
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They're making a song and dance because that serves their immediate interests. But what will happen tomorrow? They will have to pay salaries and pensions.
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Is this some kind of fucking radio promotion? What the fuck is this? Let me just say that if whatever said radio station tries to blacklist us for my comments about their balloons, I would like them to know I want a written apology tomorrow for interrupting my song.
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It's honestly every time that I'm doing something, and every time I visit a station and hear my song on the radio and people buying my stuff, I'm like 'Are you kidding me? This is insane!'
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The funny thing is, people's perceptions of what a song is about is usually wrong a majority of the time. But they're still going to read what they want to into it.
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I always wished I had a song like that George Strait song, 'The Chair', 'cause it's basically just a guy trying to pick up a girl at a bar.
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Writing a song is actually quite easy. Writing a good one is very, very difficult.
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I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
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If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
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I think Sam Smith's dad got a huge loan or something to help his career. Those things can help artists get attention, but I guess my song 'Say You Won't Let Go' proved it's about the song.
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Janis Joplin is definitely one of my biggest influences. She taught me how to feel music, and I don't think there's anyone like her that could bring such pain and emotion to a song.
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There are alway going to be bad things. But you can write it down and make a song out of it.
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Sound-wise, I'm really limitless in the way I write songs. Whatever comes out, comes out. Every song is completely different.
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Not comfortable doing song and dance stuff as no normal person does in his/her real life.
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By forbidding Jews to destroy their hair, the Bible warns them away from seeking the siren song of eternal youth. By encouraging Jews to grow beards, it reminds them that they will not be young forever, that they must prepare the ground for those who come after, just as their fathers did for them.
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There's just something so special about 'God Made Girls.' It comes from a girl's perspective, and there's nothing like that on radio right now, and so I think that's what made us able to pick that song as a single.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
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'Aura' is a song where you're looking at yourself in the mirror, and I was personally impacted when I recorded it. I identified with it.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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You can write a song about being in love with someone, but you don't have to be in love with anyone.
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When you start writing songs on your own, there's no Bible, there's no one around you, so you're just writing, and you're left with, like, the dead space in your head to know if it's a good song or an interesting concept.
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You can always write a song about people who are in love, but they're in love, so they're happy; they don't need you. But the people that I try to worry about are the ones who don't have anyone to give chocolate to, and the girl who doesn't have flowers coming to her.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
