Song Quotes
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Working with a company like LIDS just makes sense for us. Every night, we play a song we wrote that has now become a hit and was inspired by seeing so many of our fans wearing Snapbacks. Our fans are LIDS customers, and we are excited to partner up and bring them into the Old Dominion family.
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If a song is longer than three and a half minutes, it'll need something to keep you entertained.
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If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
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'Material' is meant to be a fun, lighthearted song about the tiny bit of materialism that's in all of us. The message is meant to translate the notion that you don't need luxury items to feel special; you already are special.
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They're making a song and dance because that serves their immediate interests. But what will happen tomorrow? They will have to pay salaries and pensions.
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It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
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Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
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Sound-wise, I'm really limitless in the way I write songs. Whatever comes out, comes out. Every song is completely different.
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I'm trying to stay a song ahead, two songs ahead of everybody else.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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There's always a time when you think you've done your last song or you've written your last rap or, you know, people are not checking for you.
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Whenever I'm talking about relationships, it's always at least three things. It's my relationship with myself, my relationship with God or an idea, and then usually somebody, a real person. I try to operate on all three levels at the same time, and it's difficult, but I never want to have a break-up song or something like that.
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My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
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It's a little gross to put yourself in every song. I mean, how interesting do people really think you are?
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When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog - big as a donkey.
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If it weren't for the rocks in its bed, the stream would have no song.
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The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
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I think that's what makes my music different from other artists in my lane is that I write every word that's on my album, and every word comes from a real experience or a real feeling that I've either experienced or felt. And I'm very particular about that, and I take a lot of pride in it, so you know if I say something on a song, I mean it.
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The thing is, my life is a country song. I don't need to be manufactured, and I don't need anyone to tell me what to say or what to sing.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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I think Sam Smith's dad got a huge loan or something to help his career. Those things can help artists get attention, but I guess my song 'Say You Won't Let Go' proved it's about the song.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Flower was a good metaphor for growth. The song is obviously about sexual responsibility, so that was the main metaphor. Also, it's like knowing who someone has been and remembering and appreciating that, but really appreciating what they are now even more.
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'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
