Song Quotes
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So many good songs get written fast, because you know exactly what has to work.
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Mine is only one of the millions of hearts broken over the death of Whitney Houston. I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed.'
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I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.
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It costs $2,500 to purchase a song and I know from experience that I like to score with songs.
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Writing songs is not something I wanted to share with people for a long time. It was precious to me. I didnt want someone to crush it. I waited until I felt strong enough to take the criticism.
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O Autumn, laden with fruit, and stained With the blood of the grape, pass not, but sit Beneath my shady roof; there thou may'st rest, And tune thy jolly voice to my fresh pipe; And all the daughters of the year shall dance! Sing now the lusty song of fruit and flowers.
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I learned the songs and played the gigs, and then they called me about a month later. They told me they were like super stoked on me and asked me to join their band.
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I get to work with people I love who challenge and inspire me. And I get to sing songs that do that same thing!
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I can write a song in about an hour if it's a simple country song.
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Songs give you incredible opportunity to convey a tremendous amount in a relatively short period of time. The first thing that John Powell, our composer, says is, "Is the song engaging you to tap your toe?" If you're not tapping your toe, it doesn't matter what you're doing in the song, it's not going to work. But, if you can get the audience to be engaged by the song, then it gives you the opportunity to accomplish so much, in a very concise way.
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In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone; Strangely and eerily Sounds the wind's song, Bending the banner-poles. While, all alone, Watching the loophole's spark, Lie I, with life all dark, Feet tethered, hands fettered Fast to the stone, The grim walls, square lettered With prisoned men's groan. Still strain the banner-poles Through the wind's song, Westward the banner rolls Over my wrong.
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My kids don't really like when I sing for some reason...but they like when I play guitar. So I started writing songs just playing guitar for them.
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For me, as an actor, it is brilliant that I can do both song-dance films and also something like 'NH10.' It is versatility which every actor aspires.
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Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
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I'd much rather be playing songs than talking to people.
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Nobody ever knows how big a song is going to be.
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It does make sense to put on some songs that are relatively short, because radio usually only plays songs that are less than 4 or 5 minutes.
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You don't actually have to understand the song to be emotionally moved and uplifted, whereas with language it becomes quirky and analytical.
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Well, this is shortly after the idea was put to me because it wasn't my idea to do a Christmas record. We can talk about that a little bit, if you like, later on. But I wrote that song actually about two days after the idea was put to me.
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There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.
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I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
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I was studying Francis of Assisi for quite some time, when Benedict was still the pope. And I was studying it for a song that I did for my last album, 'Banga.'
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Hunting Bears is a complex song. A bear, as you know is another term for a chubby chaser. The guitar line is actually the sound of a fat man's thighs rubbing together as he approaches another lardy male for a night of sexual deviance.
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It's kind of a protest song. My objective is to make sense of foreign policy decisions taken by the current Bush administration and showing how they resemble solipsistic bullying.