Vegas Quotes
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If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
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I was with Karen Carpenter in Vegas. We were invited to Elvis's dressing room and I had to drag her away. She was such a sweet girl but I could see what was going on. I met him a few times after that, and he flirted very heavily with me. I was supposed to do a movie with him and that was stopped right away by my husband!
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George Klein says that Elvis had five real friends outside of his circle, and I was blessed to be one of them. I spent a lot of time with Elvis in Vegas and at Graceland.
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All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
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I cherish the memory of being a friend of Frank Sinatra on a friendship level to the point where we really hung out. We worked in Vegas, we'd talk on the phone, and if I wasn't doing anything, I'd fly out, and I spent time in Palm Springs at his house - on a level the way friends would be, not with a whole crowd of people.
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People do stupid things in the heat of the moment. I've been in Vegas where I've gotten married for, like, five minutes.
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My parents divorced when I was 3 years old. They had a lounge act in Las Vegas, where I was born. The band broke up and the marriage dissolved, and my mother, my sister and I moved to Southern California. And I didn't see my dad a lot growing up; he was on the road a lot. I'd see him every couple years.
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I was in an Uber in Vegas with some friends, and 'Don't Let Me Down' came on. My driver didn't recognize me but started to talk about how much he loved Daya and how he had a crush on her.
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I hadn't been in Vegas 20 minutes when I got word that the bookmakers were offering three to one that Frank wouldn't show for my wedding.
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I personally knew and worked with Sammy Davis, Jr. Sammy hired me to open for him at Caesars Palace in Las Vegas when I was a 19-year-old standup comedian, and that's where my fascination with his incredible story began.
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Las Vegas and I both grew up together, and all of a sudden I was doing things that no performer had ever done before.
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My father was an insurance man and a small-time gambler. He was a good man, but he had an eye for the racehorses, and I saw how it used to bother my mother. I've never gambled a dime. Never, in all those years in Vegas.
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My 2005 calendar we actually did a shoot in Lake Las Vegas. Since I had requests do some swimwear and athletic shots we tried them and they came out good so we inserted them into the new calendar.
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The good news is when you open up in Vegas, you have a lot of friends, because they all come over to see your opening night.
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I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.
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If you were black, you experienced prejudice. It wasn't a real horrible thing for us; we went through it. We noticed it mostly in the South and in Las Vegas, where we couldn't stay in the hotels where we entertained. But that began to change.
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KISS is Las Vegas entertainment. A musician doesn't need the mask.
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I played Vegas at the age of 16 years old, in 1959.
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While I was busy hating Vegas, and hiding from Vegas, a funny thing happened. I grew to love Vegas.
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I love roller coasters that make my stomach drop. One ride in Las Vegas, the Big Shot, straps you into a row of seats and catapults you into the air from the top of the Stratosphere Tower - then plummets back down. I ride it over and over; it's exhilarating.
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There's just no quiet in Vegas.
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Evel Knievel bet me $25,000 I couldn't ride a motorcycle 650 miles from Las Vegas to Twin Falls, Idaho.
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Las Vegas is about distraction.
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Las Vegas has the type of audience - and they haven't changed since my father's days - they're still boring and bored. And there's only that handful of artists that they really enjoy and know how to respond to.
