Bands Quotes
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The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
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We were uncomfortable with it from the beginning because we felt like we were, I guess our heart was in a different place than all of those other bands that we were being labeled that
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When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
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Bands that say they don't care about how their records sell are liars.
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I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.
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In a way, I pattern myself after all the bands I used to like as a kid. Every time they put out LPs, they had a whole new look and a new sound.
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I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
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The average life spans of many bands are not that long, up to five years if they are lucky.
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Bands are like relationships, you know. You are kind of in a relationship with a bunch of people at one time, but this feels like a relationship that is actually working.
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Hate walks hand in hand with hate, and black metal especially is a genre that is full of white power bands.
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I love the Arctic Monkeys . Who doesn't? I'd love to see them live, but haven't got round to it yet. I never get to see bands because I'm never in the same town for more than two seconds.
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There's a difference between music that's original and music that's retro. A lot of bands now are kind of retro 70s whether it's Kraut-rock or... I've heard people suggest that we're kind of retro 80s.
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I think it's better to be a hair band than a bald band.
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Ramones or AC/DC are two bands that have managed to keep their signature sound and their signature formula for years and years and album after album after album, without it seeming like a dead-end street.
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Very, very rarely do you find bands underpricing.
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When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
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I have been rocking with Fleet Djs going on 3 years now, its a great team and orginazation you all have. Fleet has had my back and still going strong.
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We've always been more... weird compared to most bands, girls or no.
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Money changes all the iron rules into rubber bands.
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So I think it’s always going to be this on-and-off kind of thing and that’s the way bands work. You need something else so it doesn’t start to chew on itself.
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There are so many bands I am starting to see: Waterparks, Potty Mouth - they're all garage bands that started in the garage. Kids are loving them.
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I enjoy looking at old photos of some of my favorite rock icons, but also get inspired from the younger bands that are coming up and really creating their own style, their own image.
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I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).
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We never nicked stuff from other bands because that was a no-no because we were all in the same boat. You don't steal from the poor because, let's face it, they're poor. There's no sense in that.
