Songwriter Quotes
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I'm tired of Glen Matlock saying he was the songwriter for the Sex Pistols. I co-wrote as many songs... but I don't go shouting about it.
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I want you to remember something for me. My name is Robbie Williams. I'm a singer, a songwriter, and a born entertainer.
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I'm a giutar player. Actually, I think of myself as a songwriter/rhythm-guitar player.
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I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around.
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As a songwriter, simplicity - what not to do, what not to play - can be the hardest thing to achieve.
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The thing is, I'm not a prolific songwriter.
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Andrew Calhoun tells the truth. To my knowledge, there is no better songwriter alive.
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As a songwriter, the minute you start having sex, you can totally see the difference in the writing. You become an adult - that's kind of the whole backbone of it, really, your identity as a person and what sex means to you.
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I've always been a staunch supporter of songwriters' rights.
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It was really hard to find people to come over and play guitar and sing and write songs together. So that turned me into a songwriter that way, just so I could be able to play with other people.
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I think maybe I was born to be a songwriter. It's quite a comfort. I wrote most of my songs to stay alive, the rest to get back in the house.
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I’ve experienced this as a songwriter working with, and helping develop, new artists. This is truly a page out of a new artist book that has a song that blows up and then is just trying to play catch-up. That really is the story of Chase in this first season. He’s not even thinking about who he is as an artist, he’s being told and given these songs.
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I mainly like to do singer/songwriter kind of stuff.
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Being a songwriter or a painter you're definitely facing your fears. You're facing your fears because you're speaking your truth; you're speaking from your heart. That's something that's not easy to do, you set yourself up for all sorts of criticism or vulnerability but that's why we do it.
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When I first started writing songs, I was probably about ten or twelve years old, and the first thing you think as a songwriter is, 'Can this be a hit? Can this come out, and people are going to hear the song and like the song, and then they're going to like you, and you'll get famous and rich?' That hasn't changed a bit.
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I think when you have so many people staying all together, having too harsh of a parameter is not good. Every songwriter in their own right is a leader and a very creative person and can give things direction.
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My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
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So the electronic fusion, as a songwriter, I find myself in different rooms working with R&B artists, rappers, so it was really hard for me to do just one genre of music.
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Sadly, as a songwriter you sooner or later finish developing your musical understanding.
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As a songwriter it's kind of hard to listen to your own stuff with clarity.
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I am a songwriter. I do get to put my personal experiences in song.
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Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.
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My main theme as a songwriter seems to be a feeling of homelessness, of being in motion. The feeling of being somehow unmoored, a radical internal freedom that is very painful and also joyful.
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You know that first love that leaves you? You never forget that, especially if you're a songwriter. I must have gotten nine songs out of that girl.
