Drama Quotes
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With my stepson, it is very important to me that there is no drama around the fact that he has two families.
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'Game of Thrones,' people say that it's a fantasy series, but it's a hell of a lot more than that. It attracts the so-called geeks and nerds, and God bless them, they're wonderful for getting right into the show. But primarily it's about family; it's power and betrayal and jealousy. It's all those wonderful things that a fantastic drama is about.
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My experiences and training back at drama school were very enlightening. I always believe in improving, be it kathak or my acting skills, and would want to experiment more when it comes to work.
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Actually, the year anniversary of what you just heard, my son Grahame and I are going to be in a play together, and I'm acting for the first time in front of an audience that doesn't consist of a high school drama class.
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Playing athletics, playing a lot of different sports, going to drama school... I was one of those kids who wanted to do everything, so I ended up being pretty average at everything.
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Drama made me happy. Being on stage made me feel alive. But I did what a lot of people do, and that's follow this path of leaving school and going to university. It was only at university that I realised the only thing that would make me a satisfied man was to do what I loved.
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When I was a kid, I was the one causing the problems, and my little sister was the intermediary. But I think in life, generally, I don't want drama. I'd so much rather do something goofy.
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A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
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I was a dance major at NYU, but it wasn't working out. I had friends in the drama department, so I switched.
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With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
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In acting, you get to that place where it's serene, where you just feel it. I'm glad to be doing the drama because you can kind of take your time more and let a moment live more.
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Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
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I want to entertain people, whether it be with a comedy, a drama or a movie. An idea's an idea.
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As an actress, I get plenty of drama in my professional life. When I'm at home, I want a peaceful life.
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Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.
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There was very little drama and performance at my school, so I've never forgotten the people who did encourage me and I've thought whether it would be a good idea to even get in touch with them and just say thanks, because they really opened a door for me mentally and emotionally - that's really important.
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Basically, when I hear the words 'family drama' I run in the opposite direction.
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The draining away of James Baldwin's magic was a drama much discussed in the years leading up to his death in 1987 at the age of sixty-three.
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I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
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I took opportunities, big or small, to show that I was a constant professional. I feel like the Sam Jackson of network TV drama.
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A drama critic is a person who surprises the playwright by informing him what he meant.
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I once worked with Emma Thompsons mother, Phyllida Law. I worked with her on a BBC drama, and she was hilarious. I loved her so much, and she was great to work with.
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I love scary movies and respect the filmmakers of scary movies, and it's just as hard to make a great scary movie as it is to make a great comedy or drama or anything else.
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Sitcoms are incredibly limiting. When you do a sitcom and it becomes a signature part for you, it's harder to do something else; but if you do a drama, you can get lost in it and have a role to do other things.
