Painting Quotes
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It is no use painting the foot of the tree white, the strength of the bark cries out from beneath the paint.
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I bought a painting in Madrid on my first trip there too and a lot of people say, 'Well it's not the greatest painting' and I say, 'It is to me.' OK, you can look at a beautiful painting and say, 'That's beautiful' but to me, it feels warmer to fill my home with pictures of friends and family and paintings of places I've gone. That's what I want to come home to.
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I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
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You can go to the moon or walk under the sea, or anything else you like, but painting remains painting because it eludes such investigation. It remains there like a question. And it alone gives the answer.
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Art will not only continue but will realise itself more and more. By the unification of architecture, sculpture and painting a new plastic reality will be created.
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Photography and writing are marvelous distractions from painting. I might even have found movies more interesting than photography. I tried it a bit, but not enough.
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If you want to paint the inner life, you paint it from the exterior. From the exterior, you breathe the inner life into your painting.
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It came into existence because I had to paint it. Any attempt on my part to say something about it, to attempt explanation of the inexplicable, could only destroy it. 1947, on his painting 'She wolf'
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In the fairy tale the painting represents the here and now. The book is actually divided into five sections, through which the key character, the muse, leads us.
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I've always enjoyed painting, but I went to teach in schools in Zimbabwe instead.
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Coming to understand a painting or a symphony in an unfamiliar style, to recognize the work of an artist or school, to see or hear in new ways, is as cognitive an achievement as learning to read or write or add.
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Painting it was hard graft... in addition red, yellow, brown ochre, black, terra sienna, bistre, and the result is a red-brown that varies from bistre to deep wine-red and to pale, blond reddish.
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But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.
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Only now 1943 I become conscious that my work in black, white and little color planes has been merely 'drawing' in oil color. In drawing, the lines are the principal means of expressions.. .In painting, however, the lines are absorbed by the color planes; but the limitations of the planes show themselves as lines and conserve their great value.
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I'm not going to sit for some painting. That's so 1800s. I'm not doing that.
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I still don’t have any real interest in painting. I haven’t spoken about it either. I paint for my foundation.. to sell my work for charity. I can’t ask anyone to support or praise my paintings. I’m not a beggar. Tomorrow even if I have nothing at all, I’ll do something or the other, but I won’t beg.
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Painting from nature is not copying the object; it is realizing one's sensations.
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I began painting well before I started doing comedy. In fact, when I came out of the war in 1946, I enrolled in art school in Dayton, Ohio. I painted for three years, and then show business took hold.
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Painting can never show her nose in company with architecture without being snubbed.
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Oil painting and color, said Michelangelo, are for 'women and the lazy.' His sharp-edged Apollonian style is the only way to beat back mother nature.
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These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
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I want to make music three-dimensional. I want to make a song also a painting, and a painting also a culinary experience.
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All the art since the Renaissance seemed too men-oriented. I liked (the) object quality. An Egyptian pyramid, a Sung vase, the Romanesque church appealed to me. The forms found in the vaulting of a cathedral or even a splatter of tar on the road seemed more valid and instructive and a more voluptuous experience than either geometric or action painting.
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It's the idea of a multi-sensory experience stemming from music that opened my interest into painting, to be honest.
