Painting Quotes
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A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people.
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The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
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I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you. I don't paint every day. I'm not that motivated.
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A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.
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It takes more time to rework a painting than it takes to fill in the canvas in the first place. I wish I could get them all right with the first coat like many of the old masters could, but seem destined to have to rework to make them even passable.
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Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.
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Painting it was hard graft... in addition red, yellow, brown ochre, black, terra sienna, bistre, and the result is a red-brown that varies from bistre to deep wine-red and to pale, blond reddish.
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Morris Louis and I were interested in how Pollock and Helen Frankenthaler famous for her soak-painting technique were using paint. Of necessity we had to get more interested in the stuff of painting. We talked a lot about whether to size the painting or not to size, how to mix up paint.
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There is much virtue in a window. It is to a human being as a frame is to a painting, as a proscenium to a play, as 'form' to literature. It strongly defines its content.
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I am working again on my painting 'Moscow' 'Moscow I' ('Mockba I'), 1916. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.
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Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
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The many faces of Collective Vision united by the mandalic eye-field suggest both expansion of consciousness and sharing of consciousness with other beings. The painting was based on a profoundly ego dissolving entheogenic mystical trance where I heard the words, 'Infinite Oneness... the Oneness should never forget the Infinitude and the Infinitude should never forget the Oneness...'
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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I studied all about Gauguin. He was a banker. He was a banker who - he used to paint on Sundays. And one day he hated himself for painting on Sundays.
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It's hard to get hot over a painting; there's no equivalent for teenage obsessiveness. Art obsession is ideology. Ideology can be made sexy, but it's easier in music.
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When things become peculiar, frustrating and strange, I think it's a good time to start painting.
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I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.
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As far as I am concerned, a painting speaks for itself. What is the use of giving explanations, when all is said and done? A painter has only one language.
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To me, this was an oxymoron, doing a painting of a dancer. Dancers are always moving.
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And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art.
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I really like the language of painting.
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There are no rules in painting and.. ..the oppression, or servile obligation, of making all study or follow the same path is a great impediment for the Young who profess this very difficult art that approaches the divine more than any other.
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Nothing's sacred anymore. Those girls and I got so close. They were painting me naked every day for months. It was kind of like going to a really bizarre sleepover. It's what you guys imagine we do: One naked girl and seven pairs of hands all over her.
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I've done everything from cater, wait tables, pre-school teacher, painting, to being Cinderella, Elmo, a clown, nanny, selling hair... I would do kid's parties and entertain and do magic and paint faces and balloon animals. The highlight of my life.
