Painting Quotes
-
I painted a painting called 'Milk River' in 1963 Cows don't give milk if they don't have grass and water Tremendous meaning of that is that painters can't give anything to the observer. People get what they need from a painting. The painter need not die because of responsibility. When you have inspiration and represent inspirationThe observer makes the painting.
-
The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
-
Never invest in anything that eats or needs painting.
-
Morris Louis and I were interested in how Pollock and Helen Frankenthaler famous for her soak-painting technique were using paint. Of necessity we had to get more interested in the stuff of painting. We talked a lot about whether to size the painting or not to size, how to mix up paint.
-
I'd rather lose large than win slightly. I think life is an oil painting, not a watercolor.
-
I've enjoyed collecting. I've enjoyed art ever since - I'll tell you when - I went to Columbia. I went to the Met, and I saw Poussin's 'Rape of the Sabine Women', and it's this incredible, epic, great, great painting.
-
Like a guide dog, paintings help you see.
-
Nothing's sacred anymore. Those girls and I got so close. They were painting me naked every day for months. It was kind of like going to a really bizarre sleepover. It's what you guys imagine we do: One naked girl and seven pairs of hands all over her.
-
In retrospect, the pace of change in the arts and industry in the nineteenth century seems pretty glacial. Painting, music, the novel, architecture were all evolving, but at a pretty observable pace.
-
A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery.
-
Lovers of painting and lovers of music are people who openly display their preference like a delectable ailment that isolates them and makes them proud.
-
Painting, like passion, is a living voice, which, when I hear it, I must let it speak, unfettered.
-
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
-
I started billboard painting in Minneapolis, and I went to General Outdoor Advertising, and I said, 'I could do that.' They said, 'Oh yeah... we can always use a good man around here.'
-
It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting.
-
The technical obstacles of painting perhaps dictate this form. It derives also from the limitations of personality, and such may be the simplifications that I have attempted.
-
When you think of painting as painting it is rather absurd. The real world is before us - glorious sunlight and activity and fresh air, and high speed motor cars and television, all the animation - a world apart from a little square of canvas that you smear paint on.
-
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
-
I really like the language of painting.
-
I am only interested in painting the actual person; in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
-
But painting can be too lonely... I like being with people too much to have ever made that my life's work.
-
If I had a musical identity that was definable then it would be time to get into painting or something else. Race car driving.
-
I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
-
The question I ask myself when adapting a book is how do I be true to the spirit and soul of the character? How would I describe this character in my medium? If you asked one person to do a painting of something and another to create a sculpture of it, you'll never ask, 'Why doesn't the painting look like the sculpture?'
