Painting Quotes
-
In Holman Hunt's painting, "The Light of the World, "Christ is shown in a garden at midnight, holding a lantern in His left hand. With His right hand He is knocking on a heavily paneled door. When the painting was unveiled, a critic remarked to the painter, "Mr. Hunt, the work is unfinished. There is no handle on the door." "That," Hunt answered, "is the door to the human heart. It can be opened only from the inside."
James Keller
-
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
Wu Guanzhong
-
For me, painting means the continuation of dreaming by other means.
Neo Rauch
-
If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending.
If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending.
If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending.
Danny Fox
-
The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.
Marshall McLuhan
-
In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
Jose Clemente Orozco
-
This is an occupation known as painting, which calls for imagination, and skill of hand, in order to discover things not seen, hiding themselves under the shadow of natural objects, and to fix them with the hand, presenting to plain sight what does not actually exist.
Cennino Cennini
-
Learning the art of painting is not an easy task. It takes a great deal of intelligence, keen analysis, study and practice.
Edgar Alwin Payne
-
Without painting, sculpture, music, poetry, and the emotions produced by natural beauty of every kind, life would lose half its charm.
Herbert Spencer
-
I once heard some idiot on the radio saying that all great art has suffering as its dominant theme, and that the greatest artists are only able to create because they suffer immensely in their own lives. What a bunch of bullshit. Look at Van Gogh's paintings: there's as much joy in them as there is pain. Suffering is only a single color, and by itself it's boring.
Bart Yates
-
To communicate requires that those who view the work also understand. Fortunately, people respond to visual stimulus on more than one level. Abstraction, for instance, has always played a big role in artistic expression, and it is becoming more accepted in photographs. There’s nothing new about abstraction in painting, but for some reason people respect painting more than photography. This might be because photographs are so widely used by the media in this culture that they are regarded as mere ephemera… you look at a photograph once and then turn the page
Ralph Gibson
-
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
Wole Soyinka
-
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
Agnes Varda
-
Women have always collected things and saved and recycled them because leftovers yielded nourishment in new forms. The decorative functional objects women made often spoke in a secret language, bore a covert imagery. When we read these images in needlework, in paintings, in quilts, rugs and scrapbooks, we sometimes find a cry for help, sometimes an allusion to a secret political alignment, sometimes a moving symbol about the relationships between men and women.
Miriam Schapiro
