Painting Quotes
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I am so longing to be domestic,, cooking stew, gardening, hopefully having some children, painting, sitting still in one place.
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For me, painting means the continuation of dreaming by other means.
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Color in painting lures the eyes as verses do in poetry.
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I continue to make paintings of people and their moments in our time because I am of that time. Out of that I hope to make pictures that are timeless.
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There is no standard way of using painting techniques.
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Painting is a duality and abstract painting is an entirely aesthetic thing. It always remains on one level. It is only really interesting in the beauty of its patterns or its shapes.
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When in doubt, make a red painting.
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Artists say that paintings are never done. I sort of feel the same way about music. I would never say something is perfect. There are performances that can generate a lot of emotion in me when I hear them, but I can't say if anything is perfect.
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I must continue to follow the path I take now. If I do nothing, if I study nothing, if I cease searching, then, woe is me, I am lost. That is how I look at it — keep going, keep going come what may. But what is your final goal, you may ask. That goal will become clearer, will emerge slowly but surely, much as the rough draught turns into a sketch, and the sketch into a painting through the serious work done on it, through the elaboration of the original vague idea and through the consolidation of the first fleeting and passing thought.
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Now, in order to claim some knowledge of painting, Vitruvius speaks of the consideration of the perfect human body and about how good sculptors and painters in order to make it give it a height of ten faces, and I say that according to them they have read and they say that this proportion is based on knowledge of measurement and that it happens that without it it is not possible to have proportion or consideration because those who are not cognizant of this do not count.
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I once heard some idiot on the radio saying that all great art has suffering as its dominant theme, and that the greatest artists are only able to create because they suffer immensely in their own lives. What a bunch of bullshit. Look at Van Gogh's paintings: there's as much joy in them as there is pain. Suffering is only a single color, and by itself it's boring.
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When I am working on a painting, everything that I am thinking about at the time - be it current events, the books I am reading, personal events, influences, emotions, etc. - all find their way into my work.
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After my divorce, painting took me out of panic mode and into a serene, calm place. I could absolutely lose myself.
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Bruegel has these paintings of people just... interacting with each other. And there's this special wink - it's not a celebration of nature, it's people that are mongrels, and half-wits, and they're doing terrible things. I don't know, it just seems like something worth singing about.
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Eloquence is a painting of the thoughts.
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For me painting is a dramatic action in the course of which reality finds itself split apart.
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Its Vermeer" Kat turned to the boy who lingered in the doorway. "It's stolen" "What can I say?" Hale eased behind her and studied the painting over her shoulder. "I met a very nice man who bet me he had the best security system in Istanbul." His breath was warm on the back of her neck. "He was mistaken.
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Painting is almost like a religious experience, which should go on and on. Age just gives you the freedom to do some things you've never done before. Great work can come at any stage of your life.
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Painting, an oeuvre, is not such a big deal, it is so unimportant. But that’s precisely what makes it interesting.
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Painting is almost like a sport. It's like this action thing. When I do it, I'm really not thinking. The paintings are like a diary that I might not want to read again.
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If you didn't know what you were trying to do, Robert von Neumann wouldn't say a word. He would just turn and walk away. So you very quickly learned to think that you'd better be attempting to do something in that painting class.
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But the burns were like the fingerprints of an older time—before Ziegler and his brethren decided that traditional sources of value were merely superstition. “Those thousands of generations of technical progress” obliterated ritual, emptied out all meaning, glossolalia without divinity. I decided that’s what the painted mother foresaw, that she was saying farewell to candlelight, that she knew she was trapped inside a painting addressed to the future, where it could only be, however great, an instance of technique.
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Among those who study painting, some strive for an elaborate effect and others prefer the simple. Neither complexity in itself nor simplicity is enough.
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The painting is finished when the idea has disappeared.
