Painting Quotes
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I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
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How people make gardens is bound to reflect a way of experiencing the natural world, while at the same time this experience of nature is bound to reflect a culture - ways of painting nature, for example, or representing nature in literature, or of course making gardens.
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The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting.
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I feel myself tied to life. To the immensity and complexity of life. Each painting is an impulse towards life.
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Fame never interested me. I could have exhibited more of my own works in the 1970s, but I didn't want to. It's sort of like being a child. When you're finished with school, you have only one thing on your mind: to get out and experience life. Did I want to spend all my time working on a painting? No, I wanted to have fun, travel, meet women and live life.
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When you look at a work of art, you don't see a cover for something else; you see revelation. If you're an artist, art is the truest expression of yourself. Even if you're painting a life you don't have.
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I always say that writing non-fiction versus writing fiction is a bit like architecture versus abstract painting.
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My problem is to bring together in a painting two seemingly conflicting, impossibly unmixable ideas. One is that the finished work shall evoke a sense of recognition, of the mysteriously familiar... the other is that in order to do the first I must deeply know my subject.
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For me, painting is a way to forget life. It is a cry in the night, a strangled laugh.
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I love Monet - I've nicknamed him King Blob. When you go up to the painting, it's a series of blobs - amazing.
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I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.
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My painting is visible images which conceal nothing... they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable.
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Painting is a faith, and it imposes the duty to disregard public opinion.
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Every painting I've ever done has like 100 paintings under it.
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In the exhibition at Galerie Perrotin, they have the Sarajevo painting - I think it's very good to nail down this story of Pol Pot and other people, not all dictators but most of them.
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There is no perfect painting and there is no perfect solution.
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I’ve been looking at oil paintings from oriental artists lately, and the one artist who’s inspired me right now is a man named Hokusai and I’ve had his book by my bed looking at how he interprets landscapes – mountains and water and flowers and birds.
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A painting is merely the image of a tree, a man, or any other object reflected in a fountain. The difference between a painting and sculpture is the difference between a shadow and the thing which casts it.
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I try to create paintings that are a window for the imagination. If people look at my work and are reminded of the way things once were, or perhaps, the way they could be, then I've done my job.
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There is no standard way of using painting techniques.
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Painting is saying "Ta" to God.
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My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.
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I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.
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There are quite a lot of people asking for a painting so I'm not able to fulfil all their wishes. And this gives me a lot of freedom, because if I cannot please them at all I don't have to start to try.
