Painting Quotes
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I intend to do a large painting of the cliff at Etretat, although it is terribly bold of me to do so after Courbet has painted it so admirably, but I will try to do it in a different way.
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I've been hurting most of my life. I tried to pretend I wasn't. I even believed my own lie. I've lived my entire life trying to avoid pain...That's a terrible way to live. I don't care any more if it hurts...If I'm working on a painting, and it doesn't hurt, then the painting won't matter. And if it doesn't matter, then it isn't real—then I'm not real...I have a new theory...if I develop a great capacity for feeling pain, then I am also developing a great capacity for feeling happiness.
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There is an instinct for realism, a powerful drive to reproduce oneself. The fascination of photorealistic paintings lies partly in their apparent replication of life, but these are not merely replications. These paintings are often out of life scale, varying from over life-size to under life-size, from brilliant, heightened color to pale, undertone hues.
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At that childhood time, of course, if you were involved in art, it was going to be drawing and painting, because that's the only thing that was taught in the schools.
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I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.
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Now, in order to claim some knowledge of painting, Vitruvius speaks of the consideration of the perfect human body and about how good sculptors and painters in order to make it give it a height of ten faces, and I say that according to them they have read and they say that this proportion is based on knowledge of measurement and that it happens that without it it is not possible to have proportion or consideration because those who are not cognizant of this do not count.
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When I am finished painting, I paint again for relaxation.
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When painting the faces of young persons ... use the yolk of the egg of a city hen, because they have lighter yolks than those of country hens.
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Is there in painting an effect which arises from the being together of repose and energy in the artist's mind? - can both repose and energy be seen in a painting's line and color, plane and volume, surface and depth, detail and composition? - and is the true effect of a good painting on the spectator one that makes at once for repose and energy, calmness and intensity, serenity and stir?
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I paint what I think, not what I see.
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I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
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Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.
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A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets.
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As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn't make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting - the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.
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Photography is nature seen from the eyes outward, painting from the eyes inward. Photography records inalterably the single image, while painting records a plurality of images willfully directed by the artist.
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I felt the need to get back to painting and I thought the best way was to start drawing, so I enrolled in a life drawing class. I soon discovered that people made very interesting subjects and I am still surprised that I had never discovered it before.
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I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?
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Painters... are the most lively observers of what passes in the world about them, and the closest observers of what passes in their own minds.
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Sellers in general maintain the quality of their products and services for fear of losing customers otherwise. But, when price controls create a situation where the amount demanded is greater than the amount supplied - a shortage - fear of losing customers is no longer as strong an incentive. For example, landlords typically reduce painting and repairs when there is rent control, because there is no need to fear vacancies when there are more tenants looking for apartments than there are apartments available.
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I have sworn to die painting.
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The greatest moment is when you realize that the painting you've just finished is nothing. When you manage to detach yourself from it.
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Painting is a slow process; it takes time to get there, you learn little by little and always want the next painting to be better than the last. For me, success is about this, seeing the slow progress in my work.
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Every painting I've ever done has like 100 paintings under it.
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If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending. If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending. If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending.
