Painting Quotes
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What we accepted as great art - whether the book, the script, the painting, the symphony - is that which could be saved and savored. But the performances of the athletic artists who ran and jumped and wrestled were gone with the wind.
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I don't know just what, but there will have to be some drastic changes made besides cutting down on boating to get my mind more on painting.
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I'd like to think, that were he alive today, Warhol would be painting the Housewives.
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The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.
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I kept.. ..returning to the (ancient Roman) wall paintings with their veiled melancholy and elegant plasticity.
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I am very happy to be alive. There is much fun to be had. Music, movies, books, paintings, drawingsI hope you have these things where you are. If you have them, what does the real world matter anyway?
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Painting is almost like a sport. It's like this action thing. When I do it, I'm really not thinking. The paintings are like a diary that I might not want to read again.
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The temple of art is built of words. Painting and sculpture and music are but the blazon of its windows, borrowing all their significance from the light, and suggestive only of the temple's uses.
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I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?
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In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?
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Painting is getting in touch with the truth. It's a matter of summoning up the vision I need.
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The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
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The greatest moment is when you realize that the painting you've just finished is nothing. When you manage to detach yourself from it.
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There are so many people, especially among our comrades, who imagine that words are nothing - on the contrary, isn't it true that saying a thing well is as interesting and as difficult as painting it?
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There are so many good ones to paint and if you paint as well as you really can and keep out of all other things and do that, it is the true thing.
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If I revise a children's book, if I'm spending three hours on the first draft, I'm probably spending 30 minutes revising it. I mean, come on! But to redo a painting? That's hard work.
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I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
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For me, painting is that magical material, that beautiful stuff that was invented, the ground-up pigments in oil which makes it very malleable. It can be manipulated and changed, darkened, lightened, given different hues and colors, so that by manipulating this material somehow I can find that figure I'm looking for, that figure that represents all the issues I'm bringing up and addressing.
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I am good at only two things, and those are gardening and painting.
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The edge of a painting is its frontier... where the artist negotiates his boundaries with the real world... where art begins and ends and where the eye enters and leaves the image. It determines, in an infinitely subtle number of ways, how you read a painting - which, unlike a book or a piece of music, has no pre-determined beginning or end.
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Now, in order to claim some knowledge of painting, Vitruvius speaks of the consideration of the perfect human body and about how good sculptors and painters in order to make it give it a height of ten faces, and I say that according to them they have read and they say that this proportion is based on knowledge of measurement and that it happens that without it it is not possible to have proportion or consideration because those who are not cognizant of this do not count.
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The painting is finished when the idea has disappeared.
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I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.
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Painting and writing are solitary arts.
