Painting Quotes
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I have just finished one painting and am already at work on the preliminary drawings for the next one. I must do something in order to get rid of such habits or I won't manage to find time for any vacation. I have had this new painting in my mind since January, and must get it down on canvas.
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I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
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For me, my 20s were all about reaching for the brass ring of work in theater, television, and film, surviving in between by waiting tables, painting houses, serving coffee, and temping.
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Like most sensible people, you probably lost interest in modern art about the time that Julian Schnabel was painting broken pieces of the crockery that his wife had thrown at him for painting broken pieces of crockery instead of painting the bathroom and hall.
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Now painting is different. It's something recollected in tranquility.
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Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms, well then think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affects us more or less intensely. Boisgeloup, winter 1934.
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Never invest in anything that eats or needs painting.
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When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
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Through a painting we can see the whole world.
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When you're a fledgling youth-type adult, it appears that all people in their 40s look old enough to be in a painting hanging on the wall of a stately home in England. It's not until you limp into your 70s that people in their 40s look too young to vote, and college cheerleaders closely resemble Yorkshire terriers.
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I have been struggling with mental illness and emptiness throughout my life. Now I want people to understand my glorious quest for the truth. Working on paintings is a process toward my artistic creation. It is a new spiritual theme of my whole philosophy for pursuing the truth. Each painting represents a process in all of my art.
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What life means to me is to put the content of Shelley into the form of Zola. The proletarian writer is a writer with a purpose; he thinks no more of 'art for art's sake' than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art.
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This period of blue monochrome was the product of my pursuit of the indefinable in painting which that master, Eugène Delacroix Romantic French painter was able to indicate even in his day.
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Like the postcard collages, the colors are shapes in a landscape. In this case his collage 'Napoleon at Würtsburg' it is a painting of a landscape, not a photo as in the postcards collages, and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.
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The study of nature is of no significance, for painting is a conventional art, and it is infinitely more worthwhile to learn to draw after w:Holbein.
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Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
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The one thing you can rely on is if you get disturbed halfway through a painting and it looks a bit naff, then someone will preserve that piece, remove it and a few months later it'll be paraded round Sotheby's by people wearing white gloves.
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I gave up painting by 16. I secretly thought I would have been Rembrandt by then.
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A good painting to me has always been like a friend. It keeps me company, comforts and inspires.
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Most days, I practice piano in the mornings and I spend the rest of the day painting.
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Envision what the end result is supposed to be... what do you want to be when you grow up? Where do you see yourself? Once we identify what the painting on the wall is, it is so much easier to bring in the right colors, canvas and brushes to paint that picture.
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Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.
