Painting Quotes
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All art began as sacred art, you know? I mean, all painting began as religious painting. All writing began as religious writing.
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Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
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I like the feeling of not knowing where to look when you are only performing for one person or watching someone practice. It creates this kind of a strange in-between, which can be mirrored in the feeling of making a painting.
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I don't like food that's too carefully arranged; it makes me think that the chef is spending too much time arranging and not enough time cooking. If I wanted a picture I'd buy a painting.
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I have 12 paintings of Kaufman art. He is an amazing artist.
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The painting will not be looked at passively, not embraced all at once by an observer's immediate gaze. But relived in its elaboration, remade by thought and if I dare say reacted.. .All the gestures made by the painter, he the observer feels them reproduced in him.
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No one can be a painter unless he cares for painting above all else.
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Painting is easy when you don't know how, but very difficult when you do.
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My father made sure that I had lots of levels of education - from ballroom-dancing to painting, commando training, theatre and magic.
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Photography is nature seen from the eyes outwards. Painting is nature seen from the eyes inwards.
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Let us together create the new building of the future, which will be everything in one form: architecture and sculpture and painting.
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Like the postcard collages, the colors are shapes in a landscape. In this case his collage 'Napoleon at Würtsburg' it is a painting of a landscape, not a photo as in the postcards collages, and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.
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A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
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My hobbies are painting, crafts, and I like golfing.
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After college, I was burdened with student loans to repay, no financial cushion, so I wasn't in a position to bet everything on a creative-writing career - neither the writing-workshop academia life nor the freelance-writer version, trying to scrape by on short stories and house-painting gigs.
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Casting is sort of like looking at paintings. You don't know what you'll like, but you recognize it when you see it.
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In a painting, you can't make out whether the artist painted the left eye before the right eye. In Chinese calligraphy, you can see the progression of the artist's stroke.
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As a composer and as a musician I'm a true believer - and this is not to be overly diplomatic - I'm a believer that there's artistry in everything from a lawn gnome to a desk chair to a symphony to an Andy Warhol painting. There's art in absolutely everything.
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I'm old fashioned. I really think you should know how to draw before you start painting. I use charcoal and graphite; I put a skylight in. In my house, I turned the garage into an art studio. So I'm awash in art studios.
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The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.
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I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.
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I have ADD or something. Even when I am doing something, it's me on the computer, I'm painting and I'm writing music. I have to rotate what I'm doing every 15 minutes.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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I go through the arc of a relationship with every single painting that I do.
