Painting Quotes
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There are a lot of artists in Gowanus, and certain things come into your visual vocabulary from living there - the scale of the subway and the canal, sometimes it almost looks like a de Chirico painting, with the intense angles of the shadows and everything.
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I knew nothing when I first met him. He taught me to see things through his eyes. Dalí was my teacher. He let me use his brushes, his paint and his canvas, so that I could play around while he was painting for hours and hours in the same studio. Surrealism was a good school for me. Listening to Dalí talk was better than going to any art school.
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The principal element of Suprematism in painting, as in architecture, is its liberation from all social or materialist tendencies. Through Suprematism, art comes into its pure and unpolluted form. It has acknowledged the decisive fact of the nonobjective character of sensibility. It is no longer concerned with illusion.
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The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.
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I paint for the sheer joy of painting. I have never sold any of my paintings. I'd rather give them to people for free.
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Never invest in anything that eats or needs painting.
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Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
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The craft of painting has virtually disappeared. There is hardly anyone left who really possesses it. For evidence one has only to look at the painters of this century.
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A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.
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Musical composition, about which I know little, is a complicated art, and some contemporary music may be the equivalent of a complex abstract painting.
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Where painting is weakest, namely, in the expression of the highest moral and spiritual ideas, there music is sublimely strong.
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Painting is a field that attracts a lot of lazy people. You can just sort of sit and wait for things to come to you. I know a lot of painters who'll sit and chat it up all night. But God, I just can't do that.
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When we read what Goethe says about men we are ashamed of what we have said; when we read what he says about painting and statues we are ashamed of what Goethe has said.
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Through a painting we can see the whole world.
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One does a whole painting for one peach and people think just the opposite - that particular peach is but a detail.
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I have seen Colonial churches since I was very small, Colonial painting and polychrome sculpture. And that was all I saw. There was not a single modern painting in any museum, not a Picasso, not a Braque, not a Chagall. The museums had Colombian painters from the eighteenth century and, of course, I saw Pre-Columbian art. That was my exposure.
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Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
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I have ADD or something. Even when I am doing something, it's me on the computer, I'm painting and I'm writing music. I have to rotate what I'm doing every 15 minutes.
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When you're a fledgling youth-type adult, it appears that all people in their 40s look old enough to be in a painting hanging on the wall of a stately home in England. It's not until you limp into your 70s that people in their 40s look too young to vote, and college cheerleaders closely resemble Yorkshire terriers.
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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The painting will not be looked at passively, not embraced all at once by an observer's immediate gaze. But relived in its elaboration, remade by thought and if I dare say reacted.. .All the gestures made by the painter, he the observer feels them reproduced in him.
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I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.
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Painting and music were the only things I worked at industriously and faithfully.
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A good painting to me has always been like a friend. It keeps me company, comforts and inspires.
