Painting Quotes
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To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
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I think I'm painting a picture of two women but it may turn out to be a landscape.
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'The most perfect art was Greek art. Raphael is the greatest of all masters in painting'. Such were the doctrines of every art teacher only twenty or thirty years ago.
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I make sure I make a painting - that's my job. And I cook the Sunday dinner.
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Painting it was hard graft. There are one and a half large tubes of white in the ground - yet that ground is very dark.
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Doing the show was like painting the George Washington Bridge. As soon as you finished one end, you started right in on the other.
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Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
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I was the youngest of four kids, and Dad, who had a garden centre before he retired, came from a large Lancashire family. Every one of my uncles had their own business, including a post office, two fish and chip shops and a painting and decorating business.
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Painting demands an intelligent model.
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I believe that painting should come through the avenues of meditation rather than the canals of action.
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Sometimes I can see the whole painting from the outset in my mind's eye. But more often than not, that idea doesn't last the duration of the painting. Sometimes it comes out easy, just as I had envisaged. But that is reasonably rare.
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I've spent a long time avoiding painting and dealing with it from a distance. But as I get older, I'm more comfortable with it.
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I've always been a fan of poetry. I grew up with Lawrence Ferlinghetti and the Beat poets. I really followed that stuff for a while. I just love the way people threw words around like they were painting.
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That’s the huge problem with an abstract painting. When are you done? You’re done when you don’t want to do it anymore.
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I have to go with what the painting says to me. The painting is always informing me. I'm its servant; it's not mine. I'm doing what it wants.
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I feel fairly certain that my painting skills might not be best shown on 'Dancing with the Stars.' I'll have to come up with another way to showcase that side of me.
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I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
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A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.
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Usually when painters use photographs, they enlarge and copy them and simply make a large, boring painting of a large, boring photograph.
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Painting is about the beauty of space and the power of containment.
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Musical composition, about which I know little, is a complicated art, and some contemporary music may be the equivalent of a complex abstract painting.
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I’ve learnt from experience that a painting isn’t finished when you put down your brush – that’s when it starts. The public reaction is what supplies meaning and value. Art comes alive in the arguments you have about it.
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I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
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The main qualifications to the lesser position of painting is that advances in art are certainly not always formal ones.
