Record Quotes
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It's easy to put on a Deep Purple record and say, 'That sounds great.' But why? Part of it is individual practice, but by playing together, a talent of meshing happens.
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I'm 34 now, I like to say 35 because it makes me look better for my age, and I have to keep a little bit of a profile so that every three years if I do put a record out, I don't have to substantiate where I've been for three years and why the silence and the sort of false mysterioso.
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A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
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One day I'll wake up and I'll have 10 or 12 songs and think, 'Oh that sounds like it could be a record.
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Despite my own doubts of being marketable or crushworthy, my goal was to write a record of peppy pop songs, hopefully without annoying anybody.
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We regret that many people have misconstrued our recent advertisement about Mr. Roberts' record.
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I got married and decided I wanted to do a dance record, and I didn't ever expect for it to be what it was or for the 'No Doubt' thing to be such a long break, but it was one of those things where you just had to sort of follow your inspiration.
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It was like a dream. It happened so fast from the day we got the record and from the day we did American Bandstand. Everybody (in the band) got a gold record from the recording industry.
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If you don’t make a great record that really touches people, what is the point?
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Yeah, and everybody who moves out to L.A. gets that Hollywood thing in their blood, and their second record always sounds like shit.And if we end up there,we take it back. --On Fame
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I would like to congratulate Steve. It was an extraordinary flight. I'm not very happy about losing my own record but I can't think of a nicer guy to take it.
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Just because a record has a groove don't make it in the groove.
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We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.
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If someone wants to sticker a record for whatever reason, that's fine. But once it affects someone's opportunity to, you know, get that record, then I have a problem with it.
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I wasted my substance, I know I did, on riotous living, so I did, but there's nothing on record to show I did more than my betters have done.
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With our first record, we wrote concept songs but not a concept record.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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Sometimes actors come in, you record them, and they do their role.
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There's a thin line between interesting music and self-indulgence. We crossed it on the Passengers record.
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My dream is to do whatever I want without any interference from the record company.
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I remember that Martin Hannett once had an idea of making a record and burying it in his garden so that one day someone would dig it up, like a time capsule.
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I always have been very musically influenced because of my dad. He had a very big record collection, so I dabbled in different genres.
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Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.
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Sometimes, I think, with bands the record company is actually the guilty party with the way they set the record out.