Scripts Quotes
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This script was just so much smarter than usual and I'm just fascinated by human behavior.
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People who exercise their embryonic freedom day after day, little by little, expand that freedom. People who do not will find that it withers until they are literally 'being lived.' They are acting out scripts written by parents, associates, and society.
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I enjoy co-directing or even being there just for support because you get to see your script come to aural life in front of you.
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We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
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I think the part I enjoy most is reading the scripts and screening films because I'm a bookworm and a movie buff.
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In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.
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I am on the lookout for smart scripts and stories where my role has weightage.
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I'd read a lot of scripts, and I remember reading 'Orange Is the New Black,' and it was at the head of the pack. I remember thinking, 'Wow, that is really good. I would love to be a part of that.'
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The only thing that gets me back to directing is good scripts.
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I don't prepare for anything very well. I am not a good actor. I don't read scripts.
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I mean, the first “Back to the Future” is kind of a perfect script, I think. In terms of handling time travel the best, it depends on your definition. To me, that means it effectively uses it in the story.
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If a script has that affect on me during a reading, then it is definitely a film I want to be part of.
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I try to have a balance of things you like and things you don't like about a character. But once you start that, all these scripts are like, "You play the douchebag friend of Ashton Kutcher." It's all these characters that are overconfident or hyper-masculine.
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I now go to my dad's grave to read scripts and learn lines. It's the most peaceful place. I go to see him, and it's fantastic.
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Sometimes my scripts get so dissolved, and they're so different from when I wrote them originally, that I find it hard to find what I wrote in it.
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The trouble is, being an actor, you're always being sent scripts, so you've always got something to read. You've always got about three scripts to read, that you have to read, all the time. So finding a book or getting into a book series is hard, especially for me.
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Scripts are kind of a bare bones type of reading material.
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Most scripts are so linear and simplistic in their plotline.
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Would you believe, I am still offered scripts and projects all the time?
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Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
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If Gucci handbags were still in fashion Greenaway would carry his scripts in them.
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There are those who make music and movies in a linear way: They plan them, they have a script. Of course, you have to have a script sometimes, but that alone isn't enough.
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As a character, you're working within the realm of what's on the script page.
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Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.
