Scripts Quotes
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I just want to work on good scripts.
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I want the scripts Leonardo DiCaprio doesn't have time for. Joseph Gordon-Levitt isn't available? Call me.
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I don't work very much, and I just sit here waiting for a script that I can't refuse - and I'm not talking about money.
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If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.
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I find the most interesting and most daring scripts tend to be for independent films.
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Luckily the script of X-files episode was written wonderfully and that became who I was and I was quirky, and I was kind of agitated and not entirely happy, but at the same time, witty.
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I wrote a lot when I was younger, though never anything like plays or scripts.
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"A good director is one that lets you improv," that's ridiculous. There's some actors who should not be improving and there are some scripts that should not be touched. I think it's just a case by case basis.
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I believe I am God's favorite comedian. I think he is a really big comedy writer. He writes scripts. And I just follow along.
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I didnt write Snow White for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.
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If I showed you scripts from my first few movies, the descriptions of my characters all said 'the ugly girl'.
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I'm an unashamed realist, and actually, I try to make whatever the script is the reality of that situation, even though it's fictional.
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I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.
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I never think of myself as a big star. Getting good scripts is all I think about. I don't have a godfather or anyone to take care of me. To move forward, I have to be very careful in choosing the right scripts, the right director, and the right technicians.
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I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.
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It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
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Like any other actor, I want to work with good directors, and I always look for good scripts. I've had to say no to some people; I suspect that's the reason I'm called arrogant.
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Acting should be bigger than life. Scripts should be bigger than life. It should all be bigger than life.
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If I spend a year and a half writing a script, the first year will be outlining in notebooks. It's just the way I work, definitely not necessarily the best way.
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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
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I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
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My process of choosing scripts remains the same. Of whatever I read and whatever excites me is what I will continue to take up.
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When you're shooting 20-odd episodes in a season, the last thing you want is for each script to be the same tone.
