Scripts Quotes
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A movie's very different from the book, and it's different from the script, and it's usually one person's vision.
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I was asked to do a reading of 'G.B.F.' and I loved the script. I thought it was one of the most amazing things I'd read, but it took a year to get a green light for production.
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I'm an unashamed realist, and actually, I try to make whatever the script is the reality of that situation, even though it's fictional.
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You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
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I just want to work on good scripts.
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I was deliciously happy filming True Blood. I even kept all the scripts in my office, which I never do with any script. Although I did shred them all in one go when the series finished; it seemed like a ritual, somehow.
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Like any other actor, I want to work with good directors, and I always look for good scripts. I've had to say no to some people; I suspect that's the reason I'm called arrogant.
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American scripts are usually non-stop conversation. People talking over each other. I like that.
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They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers work in Saturday Night Live, but I did not know the extent to which he would make this creation.
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Working in television, many times you read a script, you work on the pilot, and then you play the waiting game to see if you're able to make it a series.
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I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.
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I don't work very much, and I just sit here waiting for a script that I can't refuse - and I'm not talking about money.
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For me, when my agents and reps send me a script, I read it through, just for the story purpose of it, and then I read it again to think of my character and see if it's something that I'm interested in bringing to life.
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I've written a lot of scripts that someone else directed, and it's absolutely vital that, if I'm gonna act in it, then I have to take off the writer hat and let the director direct.
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I love making 'iCarly' - it's so much fun, and I love getting the script every week and not really knowing what insane thing I'm going to be doing. It's just like an adventure every episode; that's really fun.
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I have pictures from work that I'm sending to my family. I send them scripts that I'm working on so they can be excited and know what's up with me.
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That's the first time I've been involved in such a big way as a voice actor and this script Voltron is very matter of factly.
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I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
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If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.
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'The Inbetweeners' would have been a success with a totally different cast because the scripts are good - so while we were fortunate enough to be cast in it, we feel we still have a lot to prove.
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I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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I do try to look at scripts and keep an eye out for challenging roles.
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I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes.
