Scripts Quotes
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The truth is, there are probably eight more Snow White scripts floating around out there. And once one Snow White script got hot, other people started pulling out their Snow White scripts.
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When I listen to scripts, I never ask who my co-star is - instead, I ask about the characters and the producers of the particular venture.
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When you're shooting 20-odd episodes in a season, the last thing you want is for each script to be the same tone.
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I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
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The absolute base-level thing that you do as a new screenwriter is send out query letters. Literally, you just say, 'Hi, Mr. So-and-So,' and you give them a one-sentence description of one of your scripts. You send it out to a list of people you found on the Internet.
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I didnt write Snow White for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.
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I was asked to do a reading of 'G.B.F.' and I loved the script. I thought it was one of the most amazing things I'd read, but it took a year to get a green light for production.
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I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
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I had read enough mediocre scripts and was determined not to inflict another one on the world.
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I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.
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My own mentality is that I've retired. They send me these scripts and if I absolutely have to do it, then I go to work.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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With 'Brick,' I wrote the script when I was 23 and didn't make the movie until I was 30.
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I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.
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My process of choosing scripts remains the same. Of whatever I read and whatever excites me is what I will continue to take up.
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Working in television, many times you read a script, you work on the pilot, and then you play the waiting game to see if you're able to make it a series.
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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
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If theres something really, really bothering me about a script, then Ill say something, but otherwise I find my answers in the script.
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I have pictures from work that I'm sending to my family. I send them scripts that I'm working on so they can be excited and know what's up with me.
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If you read scripts, you would see people rarely speak like that in real life, in complete sentences.
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They've been through three scripts, 14 rewrites.
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That's the first time I've been involved in such a big way as a voice actor and this script Voltron is very matter of factly.
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When I did The X-Files, there was certainly less of that because the script was as it was and it was such a wonderful script and it was quite complex and there wasn't a hell of a lot of improvising I could do to bring to the table, but I guess what I did bring was a sense of self and that the reason I was cast was because I did come across as someone who possibly was only human for a short time.
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There's nothing better than finishing something and looking at it. Whether it be a script or a movie, it's this complete little thing that now exists and is hopefully immortal.
