Scripts Quotes
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I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
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When I listen to scripts, I never ask who my co-star is - instead, I ask about the characters and the producers of the particular venture.
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My own mentality is that I've retired. They send me these scripts and if I absolutely have to do it, then I go to work.
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When you're shooting 20-odd episodes in a season, the last thing you want is for each script to be the same tone.
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My process of choosing scripts remains the same. Of whatever I read and whatever excites me is what I will continue to take up.
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If theres something really, really bothering me about a script, then Ill say something, but otherwise I find my answers in the script.
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I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.
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That's the first time I've been involved in such a big way as a voice actor and this script Voltron is very matter of factly.
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Like any other actor, I want to work with good directors, and I always look for good scripts. I've had to say no to some people; I suspect that's the reason I'm called arrogant.
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What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.
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I have pictures from work that I'm sending to my family. I send them scripts that I'm working on so they can be excited and know what's up with me.
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I've written a lot of scripts that someone else directed, and it's absolutely vital that, if I'm gonna act in it, then I have to take off the writer hat and let the director direct.
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There's nothing better than finishing something and looking at it. Whether it be a script or a movie, it's this complete little thing that now exists and is hopefully immortal.
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They've been through three scripts, 14 rewrites.
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The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
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I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
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I have never turned to my girlfriend and said, Oh, okay, babe, and I see it in scripts all the time.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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I was asked to do a reading of 'G.B.F.' and I loved the script. I thought it was one of the most amazing things I'd read, but it took a year to get a green light for production.
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The absolute base-level thing that you do as a new screenwriter is send out query letters. Literally, you just say, 'Hi, Mr. So-and-So,' and you give them a one-sentence description of one of your scripts. You send it out to a list of people you found on the Internet.
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I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
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The truth is, there are probably eight more Snow White scripts floating around out there. And once one Snow White script got hot, other people started pulling out their Snow White scripts.
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I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.
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With 'Brick,' I wrote the script when I was 23 and didn't make the movie until I was 30.
