Scripts Quotes
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I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
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I think the script's actually pretty solid. It really is a labor of love for us to get this thing off the ground. It was scary but then there was the change in leadership and I think that the new guy in charge is basically like, "We should just do this."
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That's the first time I've been involved in such a big way as a voice actor and this script Voltron is very matter of factly.
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I've written a lot of scripts that someone else directed, and it's absolutely vital that, if I'm gonna act in it, then I have to take off the writer hat and let the director direct.
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If you read scripts, you would see people rarely speak like that in real life, in complete sentences.
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For me, when my agents and reps send me a script, I read it through, just for the story purpose of it, and then I read it again to think of my character and see if it's something that I'm interested in bringing to life.
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They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers work in Saturday Night Live, but I did not know the extent to which he would make this creation.
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A movie's very different from the book, and it's different from the script, and it's usually one person's vision.
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You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
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I do try to look at scripts and keep an eye out for challenging roles.
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It's difficult when you have to turn down a tremendous amount of money because you don't like what the script is saying and you don't have any money.
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I remember reading scripts when I started in the business, and Latino roles were either nonexistent or written as the maid or a drug dealer. We're no longer just that. I'll play any part that challenges me. What's important is that all races have choices.
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You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
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I've always written my own scripts, I really like doing everything from the beginning and taking it all the way through, I've probably learned that from my dad.
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'The Inbetweeners' would have been a success with a totally different cast because the scripts are good - so while we were fortunate enough to be cast in it, we feel we still have a lot to prove.
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I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
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I was reading through endless junk scripts that were being sent my way. Typically the roles were to play his wife or his girlfriend - leading roles for women were few and far between.
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I love working on scripts. I love coming up with ideas about what people would dress like or talk like. I love all that.
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I handed in a script last year and the studio didn't change one word. The word they didn't change was on page 87.
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A script is only as good as the director who's making it.
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I love making 'iCarly' - it's so much fun, and I love getting the script every week and not really knowing what insane thing I'm going to be doing. It's just like an adventure every episode; that's really fun.
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I can get a script and go, "Well, I'd rather do stand-up." I don't hold movies in higher regard. I love making videos and posting. I love TV.
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My thing is that most scripts arent bad scripts, theyre just not finished yet.
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I read a lot of scripts, so I know by page 25 if I like it or not.
