Scripts Quotes
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That's the first time I've been involved in such a big way as a voice actor and this script Voltron is very matter of factly.
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'The Inbetweeners' would have been a success with a totally different cast because the scripts are good - so while we were fortunate enough to be cast in it, we feel we still have a lot to prove.
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My own mentality is that I've retired. They send me these scripts and if I absolutely have to do it, then I go to work.
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Working in television, many times you read a script, you work on the pilot, and then you play the waiting game to see if you're able to make it a series.
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I was asked to do a reading of 'G.B.F.' and I loved the script. I thought it was one of the most amazing things I'd read, but it took a year to get a green light for production.
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I remember reading scripts when I started in the business, and Latino roles were either nonexistent or written as the maid or a drug dealer. We're no longer just that. I'll play any part that challenges me. What's important is that all races have choices.
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If you want to be a filmmaker, ask yourself if you could imagine doing any other job. If you can, that’s a script!
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My process of choosing scripts remains the same. Of whatever I read and whatever excites me is what I will continue to take up.
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They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers work in Saturday Night Live, but I did not know the extent to which he would make this creation.
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With 'Brick,' I wrote the script when I was 23 and didn't make the movie until I was 30.
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I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
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There's nothing better than finishing something and looking at it. Whether it be a script or a movie, it's this complete little thing that now exists and is hopefully immortal.
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I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.
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I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
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It's difficult when you have to turn down a tremendous amount of money because you don't like what the script is saying and you don't have any money.
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I have never turned to my girlfriend and said, Oh, okay, babe, and I see it in scripts all the time.
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You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
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I handed in a script last year and the studio didn't change one word. The word they didn't change was on page 87.
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Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
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My main source of reading is scripts, which doesn't leave a whole lot of room for books.
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I had read enough mediocre scripts and was determined not to inflict another one on the world.
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I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
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I just wrote a really cool script. It's called "One Track Mind." It's an origin story about the most successful and the most foul-mouthed, outrageous songwriter in history.
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The truth is, there are probably eight more Snow White scripts floating around out there. And once one Snow White script got hot, other people started pulling out their Snow White scripts.
