Scripts Quotes
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I don't think about better. You just want it to work. You want it to work and you have your guide with the script. You want it to exist and complete.
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From Ennio Morricone I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
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The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process.
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There's one great script that hit my desk that I didn't change at all, and that was True Romance.
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When I started out, nobody gave me scripts, so I had to write...
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When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
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I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
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As an actor, especially one who's worked in casting, you read so many scripts, and some of them are terrible. They're terrible and they're getting made, and some of them are good but the female role is just painful or underwritten. So after years of that, I had this idea kicking around in my head for two years, and I thought, I'm just going to start writing.
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I was originally casted to be in the Superman movie but I read the script and realized that it was mysteriously similar to my screenplay for Zach Braff the Movie.
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What I learned is that I should probably read a screenplay every once in a while before I said 'yes'. You could make bad film out of a good script, but you're never going to make a good film out of a bad script.
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It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
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There are a lot of good stories out there, but I haven't found too many great scripts.
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Some scripts you read and say, 'I've just got to do this' and you find a way of making it work. Some things you turn down because of the impact on family.
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I can write two scripts concurrently, but I usually prefer to do one at a time. However, I also usually have 5 or 6 story ideas that are percolating in my head at any one time, so it can get a little crowded in there.
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I let the scripts basically be my Bible.
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I've always tried to stay away from playing Jews. I get like 20 Holocaust scripts a month, but I hate the genre.
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Now I can broadcast to an audience of several million people on the 'Today' programme. I can talk about the day's news. But on radio, believe it or not, we have notes and scripts. And while we might ad lib the odd wryly amusing asides, they come at the frequency of a suburban bus. About one every 90 minutes.
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All great scripts need not reach silver screen, and every good story can't be narrated in a 2-hour film.
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I feel lucky, though, because even when 'Alias' was popular, I was still sent scripts against type. I've never felt like the world only sees me one way. But yes, it's been really fun to be bad.
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I love reading scripts and offering notes and opinions. I'd like to be an advocate for the emerging filmmakers whom I'm working with.
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Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done.
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Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always respond.
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I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
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Music is for theater like theater is for scripts. It's total: it's cyclical.
