Scripts Quotes
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I would not have so many scripts being driven by demographics. The play's the thing - not the 18-35 year old male age group.
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You can only get that cast by either paying for them or having a good script. And we didn't have any cash.
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There are those who make music and movies in a linear way: They plan them, they have a script. Of course, you have to have a script sometimes, but that alone isn't enough.
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I wake up to an email from the writers with the new script, and I always get so excited because I know it'll be better all-around than the script from the week before.
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The past is a script we are constantly rewriting.
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You are the vibrational writers of the script of your life, and everyone else in the Universe is playing the part that you have assigned to them.
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If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
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[Writing scripts] I'm not looking to jump in and make super mainstream movies. I still like to make movies that I like to see.
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It's part of developing the whole state of how cinema is; everyone is looking out and engaged rather than it being just a financial thing or sitting back, waiting for scripts to turn up.
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A movie goes from several stages, from idea to script. As you continue shooting, you will make some adjustments. You're constantly adjusting. It's like a piece of music. You're constantly trying to make it better.
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And I sit in my jacuzzi with my script.
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A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
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The difference between a movie star and a movie actor is this - a movie star will say, 'How can I change the script to suit me?' and a movie actor will say. 'How can I change me to suit the script?'
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My scripts are possibly too talkative.
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I tend to look for a great script.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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There's one great script that hit my desk that I didn't change at all, and that was True Romance.
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I wonder if I would have been capable of producing anything if I worked in a more conventional way with a prewritten script, because I'm of the procrastinator class.
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When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
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I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
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It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
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There are a lot of good stories out there, but I haven't found too many great scripts.
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When I started out, nobody gave me scripts, so I had to write...
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Some scripts you read and say, 'I've just got to do this' and you find a way of making it work. Some things you turn down because of the impact on family.
