Collaboration Quotes
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To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
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I approach any collaboration I do differently.
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Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work — it's easier to do it in a collaboration than on your own.
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The nature of my work is my subjectivity meshed with other people's subjectivity. So there's a correspondence with that... Even if you write about me, it will reflect on you; everything is a kind of weird collaboration.
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I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit about theatre but he does, he respected that and so we really just had a collaboration which went completely like this.
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If Occupy Wall Street can see their way to more collaboration with the union movement, then there will be a great deal of political action possible.
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I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.
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The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
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The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.
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We don't live in an ancient era. Today, collaboration doesn't mean two singers standing next to each other at the mic to sing together.
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That brings me to Dennis Ritchie. Our collaboration has been a thing of beauty.
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I love collaboration. I love working with people to come up with something better than what I initially thought. With directing, you have to be controlling in a lot of ways, but I find myself trying to battle against that, to not be controlling, because that's when great things can come about, beyond how great you think you can be.
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There should be change - the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.
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I wanna work with filmmakers that love, are enthusiastic about their process - about the process - about their process and the environment of inclusion and collaboration. I want the people to be able to trust me, and I wanna be able to trust them.
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The subject is missing from 'Replica' - it's about malleability of materials, and working with metaphor, and sculpting in time. So that makes a collaboration with another person who pushes sound in a sculptural way appealing, because you're like, 'Let's see what dimensionality is introduced from this other perspective that I might not have.'
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Huge open source organizations like Red Hat and Mozilla manage the collaboration of hundreds of people who don't know one another and have spent no time hanging around the water cooler.
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One way a collaboration can go wrong is if your connection is inauthentic or overly prescriptive.
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We are in a technological age, and 'Social Music' aims to reflect that spirit of advancement, collaboration and connectivity while still remaining 'human.' And Stay Human, then, is a reminder of what connects us all. It's our mantra.
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'You Can't Take It With You' has eighteen people onstage at one point. Musicals entail a larger collaboration, and I love that.
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The one great thing about a continuing collaboration is that they know you. And if you're really lucky, they really believe in you and think that your talent has some unending bounds to it.
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Collaboration sometimes causes conflict, and sometimes it's easy, but the bringing together of great minds only adds.
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On a job, there's so much commitment you have to give, in regards to time, research... I like the tunnel vision of it that prevents anything else from getting in. The creativity and collaboration required there is very rewarding.
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I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
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Movie-making taught me to better appreciate the benefits and joy of a good collaboration.
