Label Quotes
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Music is music; you don't have to put a label on it.
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People are going to label you anyway, but the one that bugs me the most is when they say, 'One of the funniest female comedians.' There's s no 'funniest male comedians.' You're either a funny comedian, or you're not!
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I am not really brand-conscious; I pick out clothes that appeal to me regardless of the label, but I consider my style very American.
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I truly would love to be a designer-label girl, but I am very much High Street.
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I never thought of myself as a comedian. That is a label – make me laugh. I want to make you think.
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There's a pianist out of Boston who made a beautiful record for the Fresh Sound label called "Sketch Book"; his name is Vardan Ovsepian.
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Anything that would kind of label me or put me into a category is kind of what I want to avoid. I like the idea of being completely free, like having no area that I couldn't cover.
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I am not into marriage. You look at all the marriages breaking down and all the people cheating on their marriages, and you become cynical. Marriage is nothing but a label.
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When a label is throwing money at you, you have to recoup it.
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We really clicked with the label and they understood what we wanted to do as a band. They gave us a lot of freedom to do what would make us happy with our music.
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I went and took it to the label, and they loved it, so we put it on the record.
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You label somebody 'New Age,' and that's automatic mockery: 'She cannot possibly be a serious thinker.'
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I guess it’s easy to label it as that. Some bands do start side projects while they know it’s not going to go any further. But this is something we’re looking at on long term.
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I didn't know fashion or any of that until the label gave me a stylist.
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Here's the exact date: The day I got word we were dropped by the label was on Monday 25th September 1990, a year later than I remembered!
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This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
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When the song went #1, it got picked up by a major label, Cameo Parkway, out of Philadelphia. We sold over a million records.
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I can't drink a wine if it has an ugly label.
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We hooked up with a small label, and they gave us 500 records. I thought they would send them out to all the radio stations. They told us that was our job…do whatever you want with them.
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I know being on a major label is meant to be antiquated, but we're fine with it.
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I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.
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In a certain way, we felt almost like spies in the major label world. We were coming from some other world, and we somehow got our foot in the door and crept in and were prowling around, checking things out and taking back reports from the front.
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We're obviously not a platinum-selling band, and yet we've managed to maintain a career on a major label through all this time, and I think we always felt like we were, to a certain degree, infiltrators there. And it's been an interesting thing. It's all been like a big art project for us.
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My first record wasn't even with the Fugees. I was signed to Big Beat Records, so I was signed back in 1989 to the label that the Knocks are on now. You can always tell which generation had the pulse based on how they see things.
