Kenneth Frazier Quotes
Your job as a trial attorney is to try to convey to the jury the essence of the people you represent.
Quotes to Explore
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I didn't care what, how much adversity life threw at me. I intended to get to the top.
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There's nothing scarier than unlimited choices.
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What you want to do, particularly when you're dealing with a professional sports league and franchises and people's passionate commitment to the game and for the team they root for is, it has to be sustainable.
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If I were to work with my mom, I probably would not want her to play my mom. That would get too real.
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'Mrs. Doubtfire' is still a fun movie, and it's still fun to watch, but it is hard to watch myself sometimes. I get very critical. And people will say, 'Mara, you were five.' And I'm like, 'Yeah, but I still should have known better!' I'm a lifelong perfectionist, what can I say?
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If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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If you have a startup that's keeping it up at night because you think it's so great, then you should do that.
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Catholicism played such a huge part in my life, I would not have survived without my faith.
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I believe that everything has a shelf life.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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So, for me the town hall meetings are really an opportunity to engage in two-way dialogue with people, and they've been very helpful.
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Teachability and trust always leads to total obedience.
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Filipinos want beauty. I have to look beautiful so that the poor Filipinos will have a star to look at from their slums.
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I started out as a stand-up comedian. And that's what I'm most comfortable doing.
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My operas and my theatre works are very formal pieces.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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I have so many friends and obligations, and I want to go out and support people. But we eat at home.
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People die when they are ready to die, for reasons that are their own. No person dies without a reason. You are not taught that, however, so people do not recognize their own reasons for dying, and they are not taught to recognize their own reasons for living - because you are told that life itself is an accident in a cosmic game of chance.
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Motown was the mecca. It was every writer's dream to work there.
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The diamond scintillates less brilliantly when the fingers move rapidly than when they undulate and pivot. Glossy leaves throw off less light in a high wind than under the calm wavering of a breeze. Brusque movements of the eye cast a single gleam, and slow movements add a thousand others.
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We have over an hour of footage with Ken Marino. Same with Kevin Smith. Because you never know, when you let people who are so talented at improv go, what you're going to get. You don't want to strangle them with your own words, because probably what they're going to say is way better.
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Your job as a trial attorney is to try to convey to the jury the essence of the people you represent.
