Keri Hilson Quotes
Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
Quotes to Explore
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Some borrowers are pretty damn good at fraud.
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My career is a black comedy of sorts. I spent a lot of time explaining myself to various different groups. But more and more, I'm finding that the desire to communicate, which all these audiences share, is a powerful thing.
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I am absolutely and inherently self-destructive in that I am always making sure I'm doing what I want to do.
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It is very important to know who you are. To make decisions. To show who you are.
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I think a lot of people are with the one they're meant to be with. I see it watching my parents because they've been together for so long and are still very much in love. I'm just sort of in awe of that.
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I've always been a rough kid.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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Politics is the womb in which war develops.
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If Dana White can offer a contract that's not one-sided, and it's not cumbersome to the point where we look at it and realize that we can't fight for him, then we'll fight in the UFC.
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We recognize that the arts are an essential part of San Francisco's cultural vitality.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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You just have to go to bat and take a swing. And if you're not right for a part, or it goes to a British man, they may remember that you showed up, knew your lines and were good. And maybe they'll call you in for something else.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I've played a lot of elegance and refinement, so to do something really down and dirty is a great attraction.
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When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.
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I've never had to fend for a child's life, which sounds very terrifying.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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My workday is non-stop break-neck high stakes and high pressure. Every day.
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It's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.
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I have to be natural and not doing anything fake, not lying on social media, in interviews and life.
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My first job was working for my dad. He was a used-car dealer, and I used to wash the cars down, clean them out, and so on. I would do stuff for him pretty much every day. It was quite a good job, to be honest.
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Although the problem of transmuting chemical elements into each other is much older than a satisfactory definition of the very concept of chemical element, it is well known that the first and most important step towards its solution was made only nineteen years ago by the late Lord Rutherford, who started the method of the nuclear bombardments.
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Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
