Friedrich Nietzsche Quotes
The danger of our culture.- We belong to a period of which the culture is in danger of being destroyed by the appliances of culture.
Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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Some foreigners with full bellies and nothing better to do engage in finger-pointing at us. First, China does not export revolution; second, it does not export famine and poverty; and third, it does not mess around with you. So what else is there to say?
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In the music business, I found it was much more about interviews, photo shoots and appearances rather than actual performing, which I do best.
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We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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Christmas is, of course, the time to be home - in heart as well as body.
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I don't believe that anybody has come to a conclusion on why something is funny. It's funny because it's ridiculous and it's ridiculous for different reasons at different times.
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Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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I hardly ever stretch the canvas before painting.
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We love those who know the worst of us and don't turn their faces away.
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I am not the first man who wanted to make changes in his life at 60 and I won't be the last. It is just that others can do it with anonymity.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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Nothing is as frustrating as arguing with someone who knows what he's talking about.
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Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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The biggest compliment I get is that I don't sound like anybody else. I think I value that as the highest compliment.
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Lying and cheating in advertising, in the long run, are commercial suicide. Dishonesty in advertising destroys not only confidence in advertising, but also in the medium which carries the dishonest advertisement. . . . No one can be ill in a community without endangering others; no advertiser can be dishonest without casting suspicion upon others.
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You have to be loose enough so that when you listen to what's coming, you can follow it. In that sense I am improvising, but I don't think I'm experimenting. I have a problem with the whole term "experimental music."
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I think most Americans don't agree with the idea that the best qualified person should not get the job.
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Culture is the way for a country to know itself.
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The danger of our culture.- We belong to a period of which the culture is in danger of being destroyed by the appliances of culture.
