Keith Olbermann Quotes
Quotes to Explore
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Like in every peace process, and especially in Colombia, there all kinds of problems that will come through. Not only is the process by itself very complicated but it has lots of underground complications.
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Milos said, You're my first choice. From my point of view, that doesn't pay the rent. I said, Tell me what I have to do next because I'm busy painting my kitchen.
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All I came to Los Angeles with was a dream. No one from my family ever left Ohio.
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You've just got to sing, do some kind of singing every day. Early mornings and cold weather can mess with that. I drink special teas with cayenne pepper, but I think you're psyching yourself out, really.
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If my career path takes me elsewhere, that's great. But comedy is my forte.
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Anytime I'm involved with anything that's well-received, it's a surprise to me.
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Every single administration in American political history has put cronies and pals and donors into political positions. But normally those people become the ambassador to Liechtenstein or the deputy undersecretary of commerce.
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Storms and darkness scared me, but somehow it encouraged me to learn about nature and I think nothing's dark, dark is beautiful too.
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There's always room to volunteer. I think that's a huge space to be involved with.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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I could probably name thousands of albums that I want.
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St. Louis sprawls where mighty rivers meet - as broad as Philadelphia, but three stories high instead of two, with wider streets and dirtier atmosphere, over the dull-brown of wide, calm rivers. The city overflows into the valleys of Illinois and lies there, writhing under its grimy cloud.
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You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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Character development is what I value most as a reader of fiction. If an author can manage to create the sort of characters who feel fully real, who I find myself worrying about while I'm walking through the grocery store aisles a week later, that to me is as close to perfection as it gets.
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I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.
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But death's acquisitive instincts will win.
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Everything can be taken from a man but one thing: the last of human freedoms - to choose one's attitude in any given set of circumstances, to choose one's own way.
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I'm trying to learn from various corners of the world.
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What I've always said is that I'm opposed to institutional racism, and I would've, had I've been alive at the time, I think, had the courage to march with Martin Luther King to overturn institutional racism, and I see no place in our society for institutional racism.
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Art has to be a kind of confession. I don't mean a true confession in the sense of that dreary magazine. The effort it seems to me, is: if you can examine and face your life, you can discover the terms with which you are connected to other lives, and they can discover them, too - the terms with which they are connected to other people.
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I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.
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The thing about a bush baby is that the male establishes its territory by peeing on his hands and putting it all on the walls. And after you've had a pair for about six months, you can see people coming into the house, sniffing and going: ‘Now, that’s definitely not mulligatawny soup.’
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I stand up to people.
