Kathryn Erbe Quotes
My heart grows every day through struggling and love of my kids. It helps balance everything else - the work and the world. It helps keep me grounded and in perspective of what is really meaningful to me.
Quotes to Explore
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There's nothing more fun to me than new characters and a new world.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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Conrad Ludlow was an extraordinary partner... We just called him the greatest partner because he just knew what a woman's balance was.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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You don't have to aim to be the best of everything, thinking that one day you're going to be the top of the world; I don't think it exists.
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I am not here to beat anyone. I am here to make a name for myself, and I am glad to work with great directors. I don't believe in the term 'next superstar.'
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I didn't do the typical things that young kids do.
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Theater will cast in a more open way; Denzel Washington might play Richard III. Television and film don't really cast openly like that. The theater world has always been a leader in diversity.
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Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.
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For 100 m., you have to go out fast but also bring it back, so we've been doing a lot of work on the back-end speed.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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I think it's the same to be an actress anywhere because the profession is about attitudes towards events - it is a process to try to understand life. I think this is the case for actors across the world.
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There's nobility in hard work, traditional values.
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If we all work together, then we can save the American Dream from the nightmare that is Donald Trump.
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It dawned on us after we'd been looking for six months that this is as good as it gets.
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I didn't get on a plane until I was 23, after I left Oxford and was teaching at Lucy Clayton Secretarial College in London.
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My heart grows every day through struggling and love of my kids. It helps balance everything else - the work and the world. It helps keep me grounded and in perspective of what is really meaningful to me.
