Nell Scovell (Helen Vivian Scovell) Quotes
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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Let us go forward in this battle fortified by conviction that those who labour in the service of a great and good cause will never fail.
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Unfortunately, there is still much to mine in this world and explore creatively.
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I was always interested in the kind of history they didn't teach you in school.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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I want babies. I think I'll be a great dad.
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I just want to sit in my room and write books.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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Contrary to popular belief, I'm not always trying to stand out.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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Ain't no place like New Orleans. It's one of kind.
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In writing a novel about George Sand, I hoped to present her as the talented, beguiling, complicated and occasionally infuriating woman I think she was, but I hope, too, that readers will enjoy the people she surrounded herself with.
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If they had said my writing wasn't good enough, fair enough, that's an opinion. But to say it's too complex is to insult the intelligence of the so-called young.
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It would follow that 'significant form' was form behind which we catch a sense of ultimate reality.
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I want to take this opportunity to express, one more time, my deep sadness to those countrymen who feel, rightly, that they were victims of my government.
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I think I'm funnier in my writing than in person.
