Marlon Wayans Quotes
I got a man cave. I play my music loud. I bought big speakers because I need to hear music loud.
Quotes to Explore
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It's so hard for me to kind of fall in love with comedy, but if something comes my way... I mean, I loved 'Weird,' I thought that was a really fun character.
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If you want to do stuff, you have to be able to handle controversy.
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Thoughts without content are empty, intuitions without concepts are blind.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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Instead of building walls, we should be building bridges.
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A man will turn over half a library to make one book.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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It should simply be an empirical matter whether the climate is changing or not and whether we're responsible. But the various sides of the debate have now become so tribal that it's no longer a matter of changing our views as more information comes in.
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People think, 'Jack, you do too much.'
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Chicago is one city. We shall work as one people for our common good and our common goals.
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I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
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I think it's a problem when something's a dream because it'll never live up to your expectations. It's better to go somewhere thinking it'll be horrible, and then be pleasantly surprised.
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Raised by an irresponsible mother during the Great Depression in the Jim Crow south, my father was on his own from the age of 13.
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As an actor, you don't want to play a one-dimensional character.
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How can we educators claim credit for understanding, let alone teaching, the 'global mind' without a single course on the impact of religion on every day life?
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Splendid architecture, the love of your life, an old friend... they can all go drifting by unseen if you're not careful.
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It's important for people to understand where things come or what they represent.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I had my own musical ideas that Mick helped me with as well.
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I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.
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Any good music must be an innovation.
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Into the Music was about the first album where I felt, 'I'm starting here'...the Wavelength thing, I didn't really feel that was me.
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Music is an immediate art; it's always happening right now.
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I got a man cave. I play my music loud. I bought big speakers because I need to hear music loud.
