Emile Zola Quotes
People like comfort; that's natural. But as for making money simply for the sake of making it, and giving yourself far more trouble and anxiety to gain it than you can ever get pleasure from it when it's gained, why, as for me, I'd rather sit still and cross my arms.
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I look forward to a time when my career in a place where I can get out of Los Angeles and find a nice small town like I grew up in to raise my family.
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The name of the game is to keep from pushing the accelerator pedal so hard that we speed up the aging process. The average American, however, by living a fast and furious lifestyle, pushes that accelerator too hard and too much.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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I'm into the whole American and New York vibe, not just because that's what's going on around me but because of the fit. A lot of guys are into the European cut, but I can't really pull that off with my body type - I'm tall and have big legs.
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Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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I don't have a set image. In fact, I would be curious to know how someone slots me.
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The kids are not brought up to have minds of their own as individuals.
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There is a fascination with the idea that one has 'seen someone else do something' before one can achieve it. Maybe that's true in some cases, but clearly it is not a requirement. I knew what I wanted to do.
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I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
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When you feel totally alone in your thoughts and feelings, there's someone out there who is going through what you went through, even if it's the strangest, weirdest thing you could think of.
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When I became a mature woman, I put both feet firmly on the side of maturity.
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There is always anxiety before a competition and it was no different for me today. It was only in the third round, with about 40 targets left, that I realised I could match the world record score.
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Loosen up, and everybody around you will loosen up.
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It was a different job in that, because it's a 'Star Wars' movie and I'm a droid in a 'Star Wars' movie, people have a reverence for those characters that have come before me.
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The great mystery is why robots come off so well in science-fiction films when the human characters are often so astoundingly wooden.
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As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world.
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In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
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People like comfort; that's natural. But as for making money simply for the sake of making it, and giving yourself far more trouble and anxiety to gain it than you can ever get pleasure from it when it's gained, why, as for me, I'd rather sit still and cross my arms.
