Dylan Moran Quotes
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Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
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I suppose the best comedy shows do have the rock n' roll feeling - if it's a great night, and the roof is raised... yeah, it's a similar feeling, sure.
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As an Irish person, there's a historical fascination with America: America is the default green and promised land for Irish people and Italians; that's what we grow up with.
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I really can't describe what my stand-up is like - people see it and they say it's like that, or it's like this, and that's really up to them, that's fine, but I don't sit around all day analysing it. I just try and enjoy a show and interest myself because if I don't do that then I won't interest anybody else.
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Yeah, I think Michael has had to deal with that label of being Michael Caine for a long time.
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I'm just trying to understand what's around me as much as anyone else is, really. To draw a bead on a moving target.
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On children.
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What I prefer is an audience who listen. And are intelligent. Which I try and assume every audience is. And that if something goes wrong, it's generally my fault and not theirs.
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I don't bother with drugs myself 'cause I'm at that age now; I don't need to. If I want a rush, I just get out of a chair when I don't expect it. Forget to give yourself a couple of days notice before you tie your shoes. Whoosh! What a rush!
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I quite fancy the 1940s. I like the trams and the trousers.
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You know, it's a sad day when your child looks at you and asks: 'Daddy, is this organic?' 'Organic? I grew up on Angel Delight! We didn't have anything in the house if it wasn't neon!'
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I'm organised in some ways, but not in others.
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You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
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I get a phone call once every 18 months from some mad person who wants me to do something for less than no money and they give me about a week's notice. That's my film career, most of the time.
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'Well, you know what they say about John, anyway?'
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I don't want to do the same thing over and over again.
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When you're born, you have a finger up your nose, the other hand on your dick, and you get taller. And that is really it.
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I do think it's perfectly natural and human to want to invest belief in something. It's just a facet of who we are. What do I believe in? I believe in the obvious things. The people I'm close to and my work - it's not complicated.
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When things are going well, I can't write fast enough to keep up with my mind. Writing walks, speech runs and talk flies. Other times, though, it's like fishing.
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You know, people sometimes say to me, 'Do you prefer to do this or that, act or do stand-up or write' but the thing that I enjoy most is the difference between all of them, because you're always learning. I don't go around thinking of myself as a great anything. I'm actually lucky to have the chance to fail at all of them.
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I have tried... believe me, I have tried to like rap music. It makes me feel so very, very old. I have tried to get home with the downies.
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Everybody does that now. We all take pics… you do the same with holiday photos. You record something to look back on it, even though you’re not really there when you’re taking the picture ‘cause you’re too busy recording it; so you retrospectively go to look back on where you weren’t and tell yourself you had a good time.
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I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.
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I remember when singers were singers. Ugly people. Aretha Franklin needed a lot of room to eat her chicken wings. Janis Joplin used to come out in clothes woven from her own vomit. Nina Simone, amazing singer, could look at a railway track and buckle it. It didn’t matter; They were beautiful people because of what they could do.