Martin Freeman Quotes
Quotes to Explore
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I started getting really interested in comedy when I was in middle school.
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But the process of making a film is not glamorous. Certainly not my films.
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I love doing sitcoms. I love doing comedy. I love the whole shooting match.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
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Comedy requires a lot of energy.
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My comedy doesn't come from any calculations and studies.
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It's much funnier when the comedy can happen with me just trying my best to genuinely do a good thing.
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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God writes a lot of comedy... the trouble is, he's stuck with so many bad actors who don't know how to play funny.
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Drama can feel like therapy whereas comedy feels like there's been a pressure and a weight lifted off of you. You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
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I'm not going to give up the shock part of my comedy.
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Comedy has become, I think, a very important branch of public intellectualism. But it still ain't Washington.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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Hollywood constantly wants to label you and type you into a certain category, 'Oh he's a comedy guy,' or the weirdo character guy or the villain.
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My dream is not Hollywood, but to perform my act in English to 30 people in a Soho comedy club, to show New Yorkers what they look like from the French point of view.
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We must respect the other fellow's religion, but only in the sense and to the extent that we respect his theory that his wife is beautiful and his children smart.
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Sure, I’m gray-shading the line that separates stable and crazy, but the point is, there is a line. And I haven’t completely crossed over to lunatic.
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I remember my dad working with me on breaking down my script and writing out a back story for my character and all that stuff.
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I never read prefaces, and it is not much good writing things just for people to skip. I wonder other authors have never thought of this.
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Trouble is, some accents lend themselves to comedy.
