Darrell Lance Abbott (Dimebag Darrell) Quotes
Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
Quotes to Explore
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I started playing badminton when I was probably of eight years and ever since have been playing. I didn't go to university.
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I was interested in implements of mass destruction - from an academic point of view.
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One who works for his own profit is likely to work hard. One who works for the use of others, without profit to himself, is likely not to work any harder than he must.
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I like different statement jewelry, especially around the ears.
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I'm very open-minded.
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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Somebody gave me this drum machine and somebody else asked me to program something for a project. I really liked programming and I was really interested in using the drum machine.
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Strange bonds of trust and self-deception tend to grow between journalists and their subjects.
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Beijing was such a different city. There were so few cars, I could walk in the middle of the road. In the summer, the streetlamps attracted swirling bugs. I loved those bugs: crickets, praying mantis, all kinds of beetles. I also have a vivid memory of dazzling sunlight coming out of the sky.
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My favorite meal would have to be good old-fashioned eggs, over easy, with bacon. Many others, but you can't beat that on a Sunday morning, especially with a cup of tea.
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John D. Rockefeller wanted to dominate oil, but Microsoft wants it all, you name it: cable, media, banking, car dealerships.
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We are very committed to putting forward a really bold message for the state of Colorado.
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You can't betray yourself too often, or you become somebody else.
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I try and groom myself, be it through fitness or dance.
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I did ballet and gymnastics, and then I started acting when I was eight - just doing amateur theater at a place called Oldham Theatre Workshop in my hometown.
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Winners never quit and quitters never win.
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I established a certain standard of behavior, that, during my playing, there must be no talking.
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Take seriously the traditions, the Christian roots, and all the values that are the basis of the civilisation of Europe.
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The Irish job was something that had to be sorted out.
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I never really wanted to be a singer. I always preferred to be behind the camera.
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Fatherhood is a very natural thing; it's not something that shakes up my life but rather it enriches it.
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Unfortunately, any girl - unless you're playing the action hero - is going to end up at some point handcuffed, gagged, and waiting for the hero to save her.
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At the time I was writing 'Weedflower,' my friend Naomi Hirahara was writing a book about Japanese-American flower farmers. She knew quite a few elderly farmers and put me in touch with four or five of them who had been in camps during WWII. Some, like my father, were reluctant to talk about their experiences.
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Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
